ARTS 149 1st Edition Lecture 12Continuation of GreeceI. Continuation of Archaic a. Calf Bearer (ca. 560 BCE)i. Made of marbleii. It is a man named Rhonbos who brings offering of thanks to Athena iii. Appearance1. Still idealized but naturalized 2. Very muscular3. Shapes are naturalized 4. Archaic smile5. He is clothed 6. Has a beard which shows he is olderb. Kroisos, Anavyosos (ca. 530 BCE)i. Made of marble ii. Archaic iii. Naturalism iv. Egyptian stance is still seen here v. More rounded formsvi. Continuation of braided archaic style vii. Face and eyes are more roundedc. Peplos Kore (ca. 530 BCE)i. Kore – nonmarried woman ii. Acropolis, Athensiii. Archaic Styleiv. Made of Chiton v. Women are clothes because they were considered second class citizens vi. Rounded, naturalistic facevii. Column appearance seen here again like in Lady Auxerreviii. Perhaps meant to be of a goddessix. Was originally painted brightly d. Kore from Acropolis (ca. 520 – 510 BCE)i. Archaic Style 1. Style is seen in eyes, nose, mouth ,hair and decorative treatmente. Doric Temple Plan i. Cella or Naos – place where statue of god or goddess was These notes represent a detailed interpretation of the professor’s lecture. GradeBuddy is best used as a supplement to your own notes, not as a substitute.ii. Opistho-domos – balances out the temple iii. Antis – columns f. Doric V. Ionici. See detailed differences from slidesii. Stylobate – platform iii. Colum – made of shaft and capital 1. Varies between doric and ionic iv. Temples were both built for the godsv. Overall, ionic was more decorative vi. The idea of columns comes from Egypt vii. Doric 1. Severely plain 2. Frieze divided into triglyphs and metopes3. Massive in appearance4. Echinus convex and cushion-like 5. Capital-necking6. Architrave is plain viii. Ionic1. Ornamental 2. Frieze left open for continuous relief sculptures3. Light and airy in appearance4. Echinus is smmall and ends in volutes5. Column has base6. Architrave has fasciae g. Temple of Hera (Basilica) ca. 550 BCEi. Paestum, Italy ii. Doric temple 1. We can see this in the fluted shaft and capitalsiii. Houses 2 gods 1. Hera 2. Zeus (or it might be Poseidon)h. Temple of Artemis (ca. 600- 580 BCE)i. Corfu, Greeceii. West pediment from temple1. Medusa in middle (daughter of Poseidon)2. She is in a kneeling position with guardian figures of panthers beside her3. We also see Zeus killing a giant and a king4. There is not a stylistic conistencyi. Francois Vase (ca. 570BCE)i. Created by Kelitias and Ergotimousii. Chiusi, Italyiii. Archaiciv. Attic black figurev. Registers are seen vi. Narrative art 1. A sign of a return of storytellingj. Exekias (ca. 540 – 530 BCE)i. Vulci, Italy ii. Black Figureiii. Depicts Achilles and ajax playing a dice game1. Warriors hold swords and wear helmetsiv. It is considered black figure art with stylus linesk. Euphronios (ca. 510 BCE)i. Herakles wrestling Antaiosii. Cerveteri, Italyiii. Red figure art1. Instead background is blackiv. More naturalistic seen in1. Perspective of eyes2. Details of eyes is made realistic v. Has registers but also has open spacel. Temple of Aphaia (ca. 500 -490 BCE)i. Aegina, Greeceii. Doric style templeiii. Different from other doric temples in that1. More slender columns2. Columns are more spread out iv. There’s a Wall that encloses the complex v. West pediment 1. Depicts the Trojan war2. Made of marble3. Archaic period4. Figures all appear to be same size but Athena is the tallest because she’s standing upright5. Dying Warriora. He has archaic hair style, eyes, and smileb. Sword goes through his chestc. Symbol of fallen warrior6. Dying Trojan a. East side of pediment of temple of aphiab. Made of marble c. Transitional piece from archaic to classical i. We see this in that he is missing the archaic smileii. Seen in pain iii. Is not looking at usiv. Naturalism is shown 7. Archera. Made of marble b. Would have been painted very vividly c. Perspective is seen in painting i. The pattern of his tights became larger at larger parts of his leg (i.e. larger pattern at thighs)
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