ADPR 3100 1st Edition Final Exam Study Guide Lectures: 21 - 36Lecture Notes- Montageo french word for “real simple idea.”o stories dramatize action and pitch is “reason why” advertisingo variations combined with a pitch voice-over states general claim combining montages with pitch; can sometimes be very effective, can sometimes be boring. this way you can't really get to know characters ex: voiceover with ad running montage with unusual spokesperson fits in this category also. an example is that really country guy that did all of the talking in the ad. combined with a story defined characters sense of the people as characters and their lives snippets from different situations ex: bear carpet is alive and is a director for a film for CANAL+ pedigree adoption drive commercial with people owning different weird animals like a rhino or ostrich ex: Wicked Witch of the West and her best friend combination of montage and story; you get better sense of the characters in this one; you can see snippets of situations that the characters are going through. you can build a backstory with this variation. it doesn't mean that it has to be realistic ex: bear-rug directing commercial; Wicked and her friend commercial solely images and music no story or defined characters music has key importance ex: go moms P&G commercial for Olympic athletes ex: every dream, dream big Dick’s sporting goods commercialo sequences of images (not a linear, single story) don’t happen in a really uniform place; it jumps a lot… maybe to different people, maybe to a different time linked by a shared theme; express a creative concept of the campaign it’s a very fluid way and intuitive way of organizing an ad; pretty much theopposite of pitch not good for ads that have to be presented in a linear way pictures in a montage should all fit together; should even be a tagline at the end of it that conveys a key message all related to each other through a thematic thread all related to the creative concepto fluid, intuitiveo tagline, voiceover, or the action at end pays off key message- Immersive Mediao environment thats created(real or virtual)video games o out of home (OOH); websites; combinationo involvement; explorationo social tie-ino not there to create a message o real places: facial profiling ex: facial profiling “honda dream wall” at car show.o real places: games nike, “run to start” turned London into a game board and people would race around the city with each other challenge ← keep up with a marathon runner project on wall asics, “run with Ryan” you could “race” against a famous runnero virtual places: games smart phone mobile baby for durexo virtual places: games Doritos, snacking strong “prepare to take snacking to a higher level”- What makes up a creative toolbox?o media types static dynamic immersive o organizations headline/visual pitch story montage o techniques visual metaphor synergy characters plot Involvement, exploration- Planning and Contexto You have to plan o Single ad never seen in isolationo Need to be aware of the things that people see other than the ado Campaign composed of many different ads that have to be similar; (having them different confuses audience) weld all of them together by using visual, verbal, aural, and attitudinal similarity (creates a unified effort that speaks to your target market) must have a clear relationship and be interestingo integrated marketing communications not an ad but a strategic plan; connects all communication action all built around existing situation; built around existing/compelling story or situation public response and direct response are examples; packaging possibly, but it’s the last thing that people see when making a purchase- Legal environment/ laws and regulationso Advertising is a commercial form of speechnot entirely protected by the first amendment Advertising can be regulated more than political or free speech because itpromotes a commercial transaction Does not have to be spoken (can be visual)o central-hudson four-part test is used to decide whether a regulation on commercial speech is constitutional 1. is the message eligible for first amendment protection? 2. is the governmental interest asserted in regulating the expression substantial? 3. does the proposed regulation advance the regulatory interest? 4. is the proposed regulation narrow enough? if yes the regulation is constitutional o deception vs. puffery deception is actionable. tells lie lie likely to mislead a consumer acting reasonably. (if the consumer sees the ad, is the ad likely to deceive them?) must be “material” (claim about product has to be central thing about product) puffery not actionable. is a form of lying exaggeration or overstatement. (no one believe it anyway) expressed in broad, vague language not misperceptions or false representation of specific characteristics putting a disclaimer would still put it at risk legal responsibilities dont lie and everything will be fine (legally speaking) if the fact that you didn't lie satisfies the legal aspect, it doesn’t mean it satisfies the ethical aspect just because you did something legal doesn't make it ethical “truth” is only part of advertisings power stopped paying attention to words and paid attention to pictures, emotions evoked; it doesn't matter that you're delivering truthful information, evoking a feeling is the powerful part ethics moral conduct pressurescan be completely legal but not ethical moral myopia (ICBAFNO) (rationalization) can't recognize ethical dilemmas like muteness can can recognize ethical dilemma at an individual standpoint; don't see the bigger picture. “even if i tried to put out an unethical ad, no consumer would be dumb enough to believe it” consumers are smart and won't be misled so they have nothing to worry about (rationalization) consumers are smart “all we do is reflect society back to itself” its society’s problem, not ours don't take responsibility, rationalizing it that way passing the buck “it’s really hard to be unethical in this business; we have to run everything by
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