ARTS 150 1st Edition Exam 2 Study Guide Lectures 11 17 Study Guide Slides to know Slide Artist Title Medium Location Artistic Period Year Century Artistic Periods and Terms Patrons Key Terms Printing Techniques Key to In Class Review Questions Lecture 11 Oct 1 Baroque Art in Italy 4 Bernini David Marble Rome Baroque 1623 a Compared to Michelangelo s David i Bernini s has More movement clothing more facial expression great sense of tension mid moment as he is throwing the stone to defeat Goliath climax most dramatic moment intense concentration on face different from renaissance where they attempt to make ideal human form 6 8 Bernini Ecstasy of Saint Teresa Multimedia Cornaro Chapel Rome Baroque 1645 52 i multimedia combining sculpture architecture painting stained glass lighting effects ii Window in dome covered in stained glass with bronze pipes coming down from it when sun is overhead the light travels down the pipes creating a spotlight iii Main sculpture depicts a vision from St Teresa of Avila in which an angel appears to her and plunges a spear into her heart and consumed her with a great love of God iv Most of the intensity is conveyed by her dramatic clothing v Angel s cloth is much lighter seeming vi On either side of the main sculpture are small sculptures of the Cornaro family on the wall in theater boxes vii His mastery of linear perspective makes the boxes seem incredibly deep 12 Bernini Piazza in front of St Peter s Basilica Rome Baroque 1656 i Long row of columns that are interpreted as the welcoming arms of the church gives a place for people to congregate Stages St Peter s funnels people in a certain direction 13 Bernini Baldacchino Gilded bronze Basilica of Saint Peter Rome Baroque 1624 33 i ii iii iv v vi Marks the burial place of St Peter and the high alter The columns symbolize the union of the Jewish and Christian traditions the twisting columns also thought to represent the columns from The Temple of Solomon Allegorical figures on top Metal imitates fabric Dove on underside of top symbolizes Holy Spirit Attention to detail gilded in gold 15 Caravaggio The Entombment of Christ oil on canvas Vatican Rome Baroque 1602 04 i ii iii Tenebrism unbalanced subjects give a sense of drama Christ s body is anatomically correct but is not as idealized as renaissance Caravaggio used the faces of the lower class show age and damage Church was upset at first but Caravaggio convinced them that this is how it should be because they were trying to pull the poor back into the church also the disciples were themselves low working class 17 Caravaggio The Calling of St Matthew oil on canvas Rome Baroque 1600 i ii Light spotlights Matthew he was a tax collector before he started following Jesus He is gesturing to himself as if saying Me Are you sure 20 Artemesia Gentileschi Suzanna and the Elders Italy Baroque 1600 i Women do not have access to nude male models ii Had access to female nude though of course iii Conveys a great sense of tension and violation 22 Artemisia Gentileschi Judith Beheading Holofernes Italy Baroque 1620 i ii iii Lecture 12 3 Baroque Art in Spain 7 Jusepe de Ribera Martyrdom of St Bartholomew Naples Baroque 1634 i ii iii iv Martyred by being skinned alive Knife and knife sharpener form a cross Bartholomew is looking up to God Style is very different from Ren not symmetrical lower bodies are cut off Knows foreshortening Male body is slightly feminine No access to male nude 8 Diego Vel zquez Water Carrier of Seville Spain Baroque 1619 i vii Depicts a water carrier man drinking water was a valuable commodity ii Man wears burlap clothing is very tan older man iii He is giving a young man a glass of water iv Glass would not have actually been used by this kind of man but Diego puts it in to show off that he can paint glass v The ceramic jugs have detailed and believable texture vi Deeper religious meanings baptism need water to survive nourishment of Christianity nourishing cleansing by a humble working man Jesus was a carpenter Makes background very undetailed like a blurred background in photography 10 Diego Vel zquez Las Meninas The Maids of Honor Spain Baroque Year Century i ii Shows a dwarf nobleman artist king and queen in a mirror Meant to understand that what the artist is painting what is in front of him that we can t see king and queen that are reflected in the mirror As you get closer to the painting the details that seemed so realistic from afar are actually just a jumble of lines and dots 17 Peter Paul Rubens The Raising of the Cross Flanders Spanish Netherlands Baroque Year Century i ii Much lighter than previous depictions Christ s body looks very healthy artist is showing he can paint skin influence of Titian 18 Peter Paul Rubens Henry IV Receiving the Portrait of Marie de Medici Flanders Spanish Netherlands Baroque Year Century i ii iii Shows Henry seeing a picture of Marie for the first time clearly falling in love Zeus and Juno looking down France is depicted in the allegorical figure of the man next to Henry 21 Pieter Claesz Still Life with Tazza Dutch Republic Baroque Year Century i Shows luxury goods of the day an orange olives lavish goblet Vanitas enjoy the world as it is luxury foods etc but be aware of the world to come clock knocked over goblet ii 23 Rachel Ruysch Flower Still Life Dutch Republic Baroque Year Century i ii iii Her father was a botanist had access to lots of books about plants Some vanitas incorporated by a few dying and droopy flowers She out sold Rembrandt 24 Jacob van Ruisdael View of Haarlem from the Dunes at Overveen Dutch Republic Baroque Year Century i ii iii Most of the painting is given over to the sky represents God Most prominent building is a church Home up front where people are making linen adds an element of genre common life Lecture 13 Oct 6 Baroque Art in the Dutch Republic and France 4 Frans Hals Officers of the Haarlem Militia Company of St Adrian Dutch Republic Baroque 1627 i Start of middle class portraitures ii Group portrait 5 Rembrandt van Rijn The Anatomy Lesson of Dr Nicolaes Tulp Dutch Republic Baroque 1632 i ii Caravaggesque foreground is spotlighted creates a sense of drama Doesn t show much posture 7 Rembrandt van Rijn Captain Frans Banning Cocq Mustering His Company The Night Watch Dutch Republic Baroque 1642 i Strange girl figure with a chicken hanging from her belt possibly an allegorical figure 12 Rembrandt Three Crosses first state drypoint and etching Dutch Republic Baroque 1653 i ii