TAMU ARTS 150 - High Renaissance - Michelagelo (2 pages)

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High Renaissance - Michelagelo



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High Renaissance - Michelagelo

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High Renaissance continued, focus on Michelangelo and introduces art in Venice


Lecture number:
7
Pages:
2
Type:
Lecture Note
School:
Texas A&M University
Course:
Arts 150 - Art History Survey Ii
Edition:
2
Documents in this Packet

Unformatted text preview:

ARTS 150 1st Edition Lecture 7 Outline of Lecture 7 I II III 16th century art in Italy high renaissance Leonardo da Vinci Raphael Sanzio Outline of Lecture 8 I Michelangelo Buonarroti 1475 1564 II Venice Current Lecture I Michelangelo Buonarroti 1475 1564 i Painter architect sculptor poet ii Favored subtractive method of sculpture pieces are removed from a solid to create a form vs adding onto a structure piece by piece b Pieta c 1500 Michelangelo St Peter s Vatican Rome High Renaissance i Ideal body of Jesus ii Mary s garment has energy formed by bunches and folds of the robes Says he wants to express her sorrow through her garment so as to keep her ideal face iii Mary looks younger than her son She is virgin and spiritually pure so she aged differently iv Jesus looks peaceful as if asleep Doesn t show tortured body Foreshadows resurrection c David 1501 1504 Michelangelo 17 tall marble Florence high renaissance i Hands are big and veiny large head ii Initially the city wanted to do a series of sculptures for the top of Florence cathedral so he adjusts it for this but then the people protested it being so far from view and put it in front of the town hall iii before battle energy in twist of body and head brow furrowed iv Marble had flaw that had to be worked around David has a deep dip between his shoulders d David c 1450 Donatello 5 2 bronze post battle only Popes you need to know are Sixtus IV and Julius II e Sistine Chapel These notes represent a detailed interpretation of the professor s lecture GradeBuddy is best used as a supplement to your own notes not as a substitute i M is called back to Rome by pope to do the tomb of sixtus they run out of money for it and to keep M occupied they suggest he paints the ceiling ii He objects saying he is not a painter iii Pope wanted to ceiling to be like that of past but M says that is too boring and argue pope concedes f The Flood Sistine Chapel fresco i Very slow painting each character at a time ii Panels are



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