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TAMU ARTS 150 - Continuation of Japan
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ARTS 105 1st Edition Lecture 22 Outline of Lecture 21 Japan I II III IV V VI Anonymous Minhco Zen Buddhism Josetsu Sesshu Dry Rock Garden Rock Garden Tea Ceremony Outline of Lecture 22 Momoyama period and the early Edo period I Chojiro II Kano Monobu III Kano Eitoku Momoyama period IV Kano Eitoku Tokugawa or Edo Period V Shiba Kokan Current Lecture Momoyama period and the early Edo period I Chojiro a Yugure Twilight Raku Ware Muromachi period Japan stoneware i Raku ware was developed by the tea masters to conform to the zen aestheic ii Made by the coiling method iii Walls are thick simple iv Matte glaze v Rougher surface glazes not even China technically correct perfect intricate Japan Zen aethetic rough worn used feeling II Kano Monobu b Summer from flowers and birds of the four seasons Muromachi Period Japan Kano School i Fusion of japanese and chinese art These notes represent a detailed interpretation of the professor s lecture GradeBuddy is best used as a supplement to your own notes not as a substitute III Kano Eitoku c Pine and Cranes sliding doors Muromachi Period Japan Kano School i Dramatic pines twisting and turning tops cropped ii Strong calligraphic lines fine work on bird feathers iii Gold powder used to suggest clouds Momoyama period o Almost incesant warfare shoguns lose control Tokugawa has himself declared shogun o Jesuits introduce firearms o Castles start being built and become the centers for provincial life Donjon stone base Tenshu wooden structure IV Himeiji Castle Momoyama Period Japan post and lintel structure iv the white heron Aslar masonry no cement holding the rocks together allows for drainage and is effective against earthquakes o o V Interior Low ceilings smaller windows Kano Eitoku d Cypress Momoyama Period Japan Kano School i Step away from traditional techniques more color and gold 1 Military leaders not as sophisticated educated ii Gold leaf on surface reflects the limited light iii Color is used iv Many of Eitoku s works burned with the castles Tokugawa or Edo Period Kyoto ancient capital Capital is moved to Edo where Tokugawa was from becomes giant metropolis almost overnight Lords and their retainers are forced to spend alternate years in Edo it becomes a city of bachelors and entertainment brothels etc Western presence in Japan Dutch Allowed to stay after the other foreigners are kicked out Build an artificial island at the tip of Nagasaki Dutch begin to export porcelain from japan due to a stop in the flow from china due to unrest VI Shiba Kokan e Copies of Dutch Lithographs Edo period i Orthogonal lines reflections on water ii Copies of western images iii Kokan writes a commentary about western art discusses shading and realistic style iv Says that western art can be used to replace 10 000 words whereas japanese is useless f Seven League Beach Edo period i Trying to recreate western art with limited knowledge of materials and mediums ii Uses shading and perspective Western style painting a style of Japanese painting which tries to imitate European styles


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TAMU ARTS 150 - Continuation of Japan

Type: Lecture Note
Pages: 3
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