ARTS 150 1st EditionFinal Exam Study Guide Lectures: 26 – 32I. Slides to know:i. Slide #, Artist, Piece (Year), Media, Location, EraII. Extra Credit QuestionsIII. Technical Aspect (Photography)IV. Major Developments and Movementsi. ArtistsSlides to KnowLecture 26 (Class 32): Exhibitions and the Rise of PhotographySlide 4, Louis Daguerre, The Artist’s Studio (1839), Daguerreotype, France- Goes back to the early genre of still lifeSlide 6, Henry Fox Talbot, The Open Door (1843), calotype, paper negative, EnglandSlide 9, Timothy O’Sullivan, Home of the Rebel Sharpshooter: Battle field at Gettysburg (1863), albumen print, wet collodion process, USA- Photographers starting using photography to document war- Many are known to have composed their photos (dragged bodies, added props)- High detail photographySlide 11, Julia Margaret Cameron, Portrait of Thomas Carlyle (1867), albumen print, wet collodion process, England- Has access to all the necessary equipment (was wealthy) and to important people of the day- Purposely used a soft focus, pictorialismSlide 16, Joseph Paxton, Crystal Palace, England, 1851- First world exposition in history- Greenhouse style structure, steel framework filled with glass- People of the time thought it was ugly- Interior:o Internal structures can be taken down, put up, reconfiguredo Expositions would have tens of millions of peopleo Displayed different aspects of the country, showing offSlide 20, Gustave Eiffel, Eiffel Tower (1887-89), Paris- Built on swampy ground, also had to account for wind force- Machine aesthetic- Lots of people hated it at the time- Was not initially meant to be permanentSlide 22, Types and Development of Man, poster made for the St. Louis World’s Fair, 1904, USA- Lists ethnicities like a ladder with white at the top and everyone else was below themLecture 27 (Class 33): Academic Art, Realism, and ImpressionismSlide 3, Jean-Leon Gérôme, The Snake Charmer (1870), France, Academic- Used on the cover of Edward Said's book- Nude boy - brings up pedophilic, child endangerment- Watchers are on the floor crouched together, are very raggedy, carrying spears and shields - Tiles on the wall are falling offSlide 6, Alexandre Cabanel, Birth of Venus (1863), France, Academic- Technically a history painting but it's hard to imagine the lesson to be learned- Won the highest award at the exhibitionSlide 8, Gustave Courbet, The Stone Breakers (1849), France, Realist- Display of poverty, sense that once poor you stay poor- Old man's vest is suggestive of middle class, pants are clearly workman's- Young man's clothing also suggestive of middle class- Indicates that this could happen to anyone, faceless so the viewer can identify with themmore- Browns give sense of drearinessSlide 10, Jean-Francois Millet, The Gleaners (1857), France, Realist- Shows poor women picking up the stray grains and stalks- Considered charity at the time, shown in a way to question that ideaSlide 11, Edouard Manet, Olympia (1863), France, proto-Impressionist- Seemingly derived from the Venus of Urbino- Clearly a "working girl"- People didn't like that this was a real woman that one might actually see- Woman has a cold, confrontational look- Her figure is not idealizedSlide 14, Edouard Manet, Bar at the Folies-Bergere (1881-2), France, proto-Impressionist- Entertainment district- Girl is blankly staring out at the scene that isshow to us through the mirror- Like the things on the counter, she is for sale- The two figures on the right are her from behindtalking to a gentleman- Reddish hands and face indicate that she is fromthe country- Style derived from VelasquezSlide 18, Claude Monet, Impression: Sunrise (1872), France, Impressionist- Paints entire thing outside, trying to capture the light of the early dawnSlide 19, Claude Monet, Haystacks series, 1890-91, France, Impressionist- Intended on painting 2, one cloudy, one sunny, eventually made around 30- Painted the various lighting and shadows throughout the daySlide 22, Pierre-Auguste Renoir, Moulin de la Galette (1876),France, Impressionist- "beer garden" middle class entertainment"hangout"Slide 23, Mary Cassat, Mother and Child (1890), France, Impressionist- The edges of the painting are broken down into broad strokes of color- Didn't have access to most middle class activities- Painted lots of mother-child imagesSlide 24, Edgar Degas, The Rehearsal Onstage (1874), France, Impressionist- Brothels, bars, ballet- Ballet considered similar to a brothel- In this time period women wore long skirts, if even an ankle showed it was scandalous- Ballerinas showed whole legs, especially in high kicks, bosom also usually shown- Very asymetrical and off centered, not very composed-seemingLecture 28 (Class 34): Japonisme and Post-ImpressionismSlide 5, Edgar Degas, Little Ballerina (1878-80), France, Impressionist - Clothing is the equivalent to undergarments at the timeSlide 12, Edouard Manet, Portrait of Emile Zola (1867), France, proto-Impressionist- Japanese props to show that he is "cultured"Slide 14, Claude Monet, Japanese Bridge (1905), France, ImpressionistSlide 17, James Whistler, Arrangement in Grey and Black, Number One: The Artist’s Mother [Whistler’s Mother] (1877), England, Impressionist- Aesthetic Approach or "Art for Art's sake"- Art should be about colors, forms and shapes- Uses the relationships between colors and shapesSlide 19, James Whistler, Nocturne in Black and Gold: the Falling Rocket(1877), England, Impressionist- Taken to court for not being “real art”- He won but it bankrupted himSlide 20, Vincent Van Gogh, Self-Portrait dedicated to Paul Gaugin (1888), France, Post-Impressionist- Thick texture of the paint- His eyes look AsianSlide 21, Vincent Van Gogh, Copy of Hiroshige (1887), France, Post-Impressionist- copies Japanese prints very faithfully instead of adjusting it to a more impressionist styleSlide24, Vincent Van Gogh, Starry Night (1889), France, Post-Impressionist- Painted in an asylumSlide 26, Paul Gaugin, Vision after the Sermon (1888), France, Post-Impressionist- Lots of vivid color, asymmetricalSlide 27, Paul Gaugin, Manao Tupapao (Spirit of the DeadWatching) (1892), France, Post-Impressionist- Trying to adopt Japanese styles- "Ancestor worship" but doesn't get it quite rightLecture 29 (Class 35): Post-Impressionism and New Approaches to Design and ArchitectureSlide 7, Henri de Toulouse-Lautrec, Jane Avril (1893), France, Post-Impressionist- Shows a dancer (the kind that high kick