ARTS 150 1st Edition Lecture 31 Outline of Lecture 30I. Antonio GaudiThe SkyscraperII. Louis SullivanIII. Cass GilbertArt Deco styleIV. William van AlenV. Frank Lloyd WrightVI. Katsura Imperial VillaVII. Frank Lloyd WrightVIII. Walter GropiusCharacteristics of the Bauhaus/Modernist/International StyleIX. Marvel BreuerX. Marianne BrandtOutline of Lecture 31I. Paul CezanneII. Henri MatisseIII. Pablo PicassoAnalytic Cubism Synthetic Cubism IV. Vassily KandinskyCurrent LecturePaul CezanneMont Sainte-Victoire, proto-cubism (1885)Wanted to make Impressionism more "durable" like that of the art in museumsPrevious impression paintings capture only a single momentReduce nature down to the sphere, cylinder & cone The Large Bathers, France, proto-cubism (1906)Downplays the sensuality of the female nudeUsually a romantic/mythological reason for them to be nude Henri MatisseWoman in the Hat, France, Fauvism (1905)Colors are bizarre and extremeJuxtaposing colors that weren't considered to "go together"These notes represent a detailed interpretation of the professor’s lecture. GradeBuddy is best used as a supplement to your own notes, not as a substitute.Feels experimental, less about expressing feelings Foy of Life, France, Fauvism (1905)Intense colorSome sense of recession, things are mostly flattened Pablo PicassoScience and Charity, Spain, Academic (1897)Even the work in the academy is becoming "brushy" The Old Guitarist, France, Blue Period (1903)Friend commits suicide and leads to a depressed period of paintingHomeless man clinging to his "art" (guitar) Young Ladies of Avignon [Demoiselle d'Avignon], France, Cubism (1907)Influenced by Cezanne and MatisseEveryone hated itStrange facesEverything is threatening, repellant and strangeDrawing from African art, African masks Portrait of David-Henry Kahnweiler, France, Cubism (1910)Makes sure you know you are not looking at "window to the world"It is a flat canvas and should be used as such, the viewer must figure the image outTry to show all sides of the object in the 2D Analytic Cubism = break objects into parts in order to analyze them, then put them back together in a different order Glass Bottle of Suze, France, Cubism (1912)Takes objects from daily life to make the imageTrying to break down/confuse the boundaries Synthetic Cubism = combining painting with objects taken from life; break down the barriers between artand life Guernica, France, Cubism (1937)Commemorates the deaths of civilians in Spain Mandolin and Clarinet Vassily KandinskyImprovisation 28, Bauhaus, Abstraction (1912)Creates a sense of motionSpirituality in
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