ARTS 105 1st Edition Lecture 16 Outline of Lecture 15Neoclassical ArtI. Joeseph Wright derbyII. Jacques-Louis DavidIII. Academies of ArtIV. Jacques-Louis DavidV. Anne-Louis Girodet-TirosonVI. John Singleton CopleyVII. Chiswick HouseVIII. Thomas JeffersonIX. Benjamin LatrobeRomanticismX. Henry FuseliXI. William BlakeXII. Francisco GoyaOutline of Lecture 16RomanticismI. GoyaII. Honore DaumierPainting TechniquesIII. Barry and PuginIV. Westminster Abby V. Richard UpjohnAge of Napoleon and Beyonda. Arc de TriompheVI. Francois RudeVII. Jacques-Louis DavidCurrent LectureRomanticism 1790-1850- Reaction to enlightenment- Found the logic of the Enlightenment to be insufficient for understanding the complexity of human beings- Emphasized emotions, fantasy, etc., as well as unique styles for self-expression- Artist is often regarded as an individual alienated from society (starving person in an attic that noone understands till after they die)- World of fantasy, metaphors, speaking out These notes represent a detailed interpretation of the professor’s lecture. GradeBuddy is best used as a supplement to your own notes, not as a substitute.I. Goyaa. Disasters of War, aquatint, Spanish, romantici. The cylindrical hat is that of the French militaryb. The Family of Charles IV, Spain Romantici. Shows Goya painting the scene in the backgroundc. The Shootings of May 3rd, 1808, Spain, Romantic (painted 1814)i. Shows soldiers shooting civiliansii. Showing the horrors of war instead of the heroic sided. Saturn Devouring his Soni. Moves to the country and begins painting his walls, known as his "black paintings"ii. this is on the dining room walliii. Usually Greco-Roman gods are symbolic of order and beautyiv. Here Saturn is chaotic and monstrousII. Honore Daumiera. Rue Transnonian, April 15, 1834, lithograph, Parisi. Newspapers being spread to educate the lower classii. Rue means streetiii. Story: soldiers were walking on the street and someone shoots at them, they go into the building and slaughter everyone in the buildingPainting Techniques- Relief printing (woodblock)- Intaglio printing (engraving, etching, dry point, aquatint)- Lithography: artist draws on stone as if on paper with greasy crayon like instrument. Surface is wiped with oil which clings to the greasy lines ****III. Barry and Pugina. British Houses of Parliament, England, Romantic (Gothic Revival)i. Going back to their own gothic past vs the roman past of ItalyIV. Westminster Abby - coronations, royal burials, etc.a. Parallel style of architecture V. Richard Upjohna. Trinity Church, New York City, Romantic (Gothic revival)i. Spires, complex exteriorAge of Napoleon and Beyondb. Arc de Triomphei. Going back to roman styles (Arch of Titus)ii. An arch was built every time a major victory was wonVI. Francois Rudea. Departure of the Volunteersi. Uses elements of classic period (human body, Greek god victory) but is to unorganized to be mistaken for neoclassicalVII. Jacques-Louis Davida. Napoleon Crossing the Saint-Bernard [Napoleon crossing the alps], Academic Romanticismi. Attention to the detail and correctness of the image, but is unbalanced in ways that make it not neoclassicalii. Bonaparte is carved into the rock next to Hannibal and Charlemagne, two other great leaders who crossed the alps b. Napoleon in his study, France, Academic Romanticismi. Show neoclassical chairsc. The Coronation of Napoleon,
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