Study Guide Final Exam Spring 2015 MUH 2051 0002 Chapter 10 West Africa Isicathamiya A cappella Call and response Polyvocality Many voices Jeliya Jeli family names Multiple musical instruments calling back with one another like Marco Polo Hereditary class of professional Mande musicans 3 families Kouyate Diabate Sissoko Seckou Keita Came from a family with two of the last names Father Keita royal lineage Mother Sissoko jelimuso Kora 21 string spike harp chordophone Kind of looks like a guitar but with a big bowl and long neck Instrument of the Mande people people of W Africa Kora techniques birimtingo kumbengo sataro layered ostinato based style used to accompany singing improvised melodic flourish improvisatory slightly out of time and even speech like style of singing higher Kumbengo Birimintingo Sataro pitch range Fontomfrom drums within the ensemble use of the ensemble Royal Akan drum ensemble Shows the king s authority and power played when he makes an appearance Three drums from autumpan eguankoba the dawuro bell Musical syncretism Diaspora Apartheid Ang lique Kidjo Female artist Mixes fon cultural roots with American soul rhythm and blues funk jazz Activist and advocate for female education and women s rights Chimamanda Adichie 1 Chapter 11 Latin American Bossa nova Associated with the white middle class South Zone of Rio de Janeiro Founded by Antonio Carlos Jobim Vinivius de Moraes Joao Gilberto Samba Tropic lia Tango Founded by Caetano Veloso and Gilberto Gil Influenced by bossa nova Gilberto The Beatles Jimi Hendrix James Brown Associated with the lower class portenos mixture of Europeans people of African descent criollos Vertical expression of a horizontal desire Cultural cannibalism Oswalde de Andrade Julajula yiya arka Created Manifesto Antropofago Cannibalist Manifest Used in harvest rituals called Kusicha Timpu Ensemble of 25 30 men all play different sizes NO DRUMS 2 half instruments each by a different player 1 Yiya leader pipe 4 tubes plays DGBE high 2 Arka follower pipe 3 tubes plays EAD high Ayllu location characteristics Extended family lineages Social solidarity harmonious relationships with the natural world and the spiritual realm Santer a Overlap in veneration of saints vs veneration of Yoruba Gods Combines Yoruba religion with Catholicism Bata ritual drumming practice of Santeria Rumba guaguanc All percussion and voice derived from a single rhythm clave Clave 2 thick round sticks that are struck together 3 conga drums claves palito wooden idiophone singer and chorus Celia Cruz Tito Puente Influenced by jazz and Cuban music joined Machito s orchestra and the Afro Cubans Sang Oye Como Va King of Salsa Carlos Santana Did a cover of Oye Como Va Musical influence in jazz blues rock Latin dance Celeste Mendoza Mulatta Queen of guaguanco Oye Como Va Sang by Tito Puente Pan Latino identity 2 Melodic patterns and ornaments specific ascending and descending pitches modulations Traditional Mexican verse chorus form Composed by Quirino Mendoza y Cortes 1882 Cielto Lindo Mariachi Frito Bandito Chapter 12 Egypt Maqam extra musical associations Similar to Indian raga Takht Zaar rhythm Consists of 5 instruments Ud Qanun Nay Violin Riqq sometimes the tabla Dum low pitched Tek higher pitched Ancient healing ritual involving trance and possession Illegal but embraced as baladi tradition Zaar ritual Led by older women old mistress Focus on jinn spirit called asyad master Dum tek patterns Umm Kulthum Badiaa Masabni Samia Gamal D t Two different instruments playing back and forth with each other Most famous Arab singer international career literally and figuratively the voice of Egypt Musically and understanding of Arab texts Islamic scripture Influenced Egyptian women s dance Increased use of arms adopted Western Hollywood idea of Oriental dance Prot g of Badiaa Masabni Innovator of women s dance veils high heels Mixed middle eastern and western dance elemenets in raqs sharqi Sayyid Darwish Egyptian singer and composer Father of Egyptian popular music Muhammad Abd al Wahhab Singer actor performer composer a lot of films Studied with Sayyid Darwish Greatest Arab modernist of the 20th century Gamal Abd al Nasser Same as bloodless revolution Fallahin Authentic Egyptian folk culture folkloric style 3 Started folk revival decline of casinos night clubs and raqs sharqi Rise of Muhammad Abd al Wahhan and Umm Kulthum Jinn spirit Bloodless Revolution of 1952 Raqs sharqi Oriental Dance Raqs baladi Folk Dance Belly dance All encompassing hip hop example Ghawazi outsider or invader Egyptian nationalism 1 Localism 2 Pan Arabism 3 Islamism Chapter 13 China On the Golden Hill in Beijing meaning purpose extramusical associations Music and propaganda Melody loosely based on Tibetan folksong problematic Glorification of Mao Tibet ethnic minorities Justifies policies towards ethnic minorities Emancipation of peasants Internment camps Slap a Jap Pearl Harbor Cui Jian Nothing to My Name historical associations purpose Tan Dun New Wave Chinese Western New Wave Crouching Tiger Hidden Dragon By Tan Dun Programmaticism Confucianism characteristics connection to music Social stratification duty deference to authority morally virtuous social order Use music as a form of social control Zheng Pipa Board zither chordophone 21 metal wound nylon strings 4
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