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Study Guide Final Exam MUH 2051 0002 PURPOSE The purpose of this final exam is to test your knowledge regarding the material covered in the latter half of the semester This exam is not cumulative and will only cover the chapters we have studied since the midterm exam Chapters 10 13 FORMAT The exam will consist of 50 multiple choice questions The first 32 questions will pertain to listening examples that will be played during the exam STUDY TIPS In order to prepare for the exam you should review all of the PowerPoint presentations posted online the assigned readings for this course and any class notes For each chapter be sure that you are familiar with the musical examples from the book and from the PowerPoint presentations Be able to contextualize each who wrote it what is its significance You will also need to be familiar with the history and geography of each region we have discussed Below is a list of terms divided by chapter that may appear on the final exam Chapter 10 West Africa Isicathamiya Capella unaccompanied vocal genre that emerged out of a synthesis of traditional music of zulu peoples in southern Africa and Christian hymnody introduced by European missionaries it was initially developed mainly by black south African migrant laborers who worked under oppressive conditions as miners Call and response back and forth alternation b t different instrument or voice parts Polyvocality many voices Jeliya Jeli family names families represented Sissoko Diabate Kouyate Taj Mahal blues musician Seckou Keita father is of royal lineage Keita and mother is a jelimuso Sissoko Kora 21 string spike harp chordophone o Straight neck mounted onto the resonator body ends to create a tail piece o Resonator made out of calabash or half gourd o Sound hole cut into the right side o Notched bridge on the front o 2 parallel rows of strings attached to metal ring Kora techniques birimtingo kumbengo sataro o Kumbengo layered ostinato based style used to accompany singing o Birimintingo improvised melodic flourish o Sataro improvisatory slightly out of time and even speech like style of singing higher pitch range Fontomfrom drums within the ensemble use of the ensemble Syncretism is the combining of different often seemingly contradictory beliefs while melding practices of various schools of thought Diaspora refers to an international network of communities linked together by identification with a common ancestral homeland and culture Apartheid An era South Africa s legalized system of racial segregation and oppression under apartheid had long been the subject of condemnation and official sanctions Ang lique Kidjo Born in Benin in 1960 to musical family Professional career began at age 20 International career in Paris Mixed Fon cultural roots with American soul rhythm and blues funk and jazz Chimamanda Adichie Famous in African Lit Danger of a single story Chapter 11 Latin American Bossa nova Created in late 1950s Associated with the middle class white South Zone of Rio de Janeiro Founders of bossa nova composer and pianist Antonio Carlos Jobim lyricist Vin cius de Moraes and singer and guitarist Jo o Gilberto Combines samba styles rhythmic and other musical elements with American jazz and popular music Samba Best known Brazilian musical tradition Overarching terms that encompasses a number of musical genres Tropic lia Founded by Caetano Veloso and Gilberto Gil Musicians from Bahia epicenter of Brazilian Afro diasporic culture Influenced by bossa nova Jo o Gilberto but also the Beatles Jimi Hendrix and James Brown Combine music and sociopolitical principles Tango Originally created in the brothels and bars of Buenos Aires Argentina in late 1800s Associated with lower class porte os mixture of Europeans people of African descent and criollos Combines many musical influences Bandone n box shaped button accordion brought to Argentina from Germany Early 1890s moved out of brothels and onto international stage Cultural cannibalism Os Mutantes The Mutants was formed in the 1960s Oswalde de Andrade Manifesto Antropof go Cannibalist Manifest Julajula yiya arka Andean panpipe instrument that are played in pairs within ensembles interlocking parts b t pairs generate the music s melodies Ayllu location characteristics indigenous term for native community of the South American Andes Shared family lineages locations of residence and ancestry and cultural practices including music religious practices define ayllu membership Santer a combining the indigenous Yoruba religion with Catholicism Overlap in veneration of saints versus veneration of Yoruba Gods Bat ritual drumming practice of Santer a Rumba guaguanc music accompanying dancing Dance supposed to imitate mating ritual between rooster and hen Celia Cruz Queen of salsa Tito Puente Newyorican Heavily influenced by jazz and Cuban music Joined Machito s orchestra played with Machito and the Afro Cubans Julliard Oye Como Va El Rey Bravo 1963 CD 4 7 Carlos Santana is a Mexican and American musician who first became famous in the late 1960s and early 1970s with his band Santana which pioneered a fusion of rock and Latin American music Celeste Mendoza mulatta queen of guaguanc race and gender Oye Como Va El Rey Bravo 1963 Pan Latino identity a movement in 1970s Latino American Cielto Lindo Traditional Mexican verse chorus form Supposedly composed by Quirino Mendoza y Cort s in 1882 Multiple meanings Triple meter bass chord chord in armon a section Grito vocal interjections shouts yells and hoots Single trumpet vihuela guitar guitarr n male lead singer and chorus no violins Mariachi Crystallized around 1950 in Mexico City Frito Bandito corn chip commercials produced in the US between 1967 1971 Steelpan pitched percussion instrument Chapter 12 Egypt Maqam Similar to Indian raga Specific ascending and descending pitches Melodic patterns and ornaments Modulation Extramusical associations Takht Traditional ensemble of five instruments Ud Qanun Nay Violin Riqq Sometimes the tabla is added Zaar rhythm Duple meter Changing intensity and tempo Defined by two tones dum low pitched and tek higher pitch Performed on the percussion ensemble Zaar ritual Led by older woman old mistress Focus on jinn spirit called asyad master Musical diplomacy Multiday event Mixture of religious traditions Dum tek patterns The syllables for the 2 principal drum stroke used on the Egyptian table and other Middle Eastern percussion instruments The drum is low pitched and deep Umm Kulthum


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FSU MUH 2051 - Study Guide: Final Exam

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Notes

Notes

6 pages

Notes

Notes

6 pages

Exam 2

Exam 2

18 pages

Quiz 1

Quiz 1

4 pages

Chapter 3

Chapter 3

11 pages

Exam 1

Exam 1

13 pages

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