Study Guide Final Exam MUH 2051 0002 PURPOSE The purpose of this final exam is to test your knowledge regarding the material covered in the latter half of the semester This exam is not cumulative and will only cover the chapters we have studied since the midterm exam Chapters 10 13 FORMAT The exam will consist of 50 multiple choice questions The first 32 questions will pertain to listening examples that will be played during the exam STUDY TIPS In order to prepare for the exam you should review all of the PowerPoint presentations posted online the assigned readings for this course and any class notes For each chapter be sure that you are familiar with the musical examples from the book and from the PowerPoint presentations Be able to contextualize each who wrote it what is its significance You will also need to be familiar with the history and geography of each region we have discussed Below is a list of terms divided by chapter that may appear on the final exam Chapter 10 West Africa Isicathamiya Call and response Polyvocality Jeliya Jeli family names music industry Seckou Keita Initially developed by black South African migrant laborer who worked in the mines Synthesis of Zulu musical tradition and Christian hymnody Isicathamiya is an example process of going back and forth between the audience and the performer Many voices Influence of the African diaspora in cultura and musical traditions around the world Hereditary class of professional Mande musicians Comprised of 3 main families Kouyate Diabate Sissoko Traditionally sang praise songs for the kinf now also for politicians and commercial father is of royal lineage Keita and mother is a jelimuso Sissoko grew up with mothers side and followed musical passions The last name Keita your from royal lineage Kora 21 string spike harp chordophone one of the instruments played by the Jeliu Kora techniques birimtingo kumbengo sataro Kumbengo layered ostinato based style used to accompany singing Birimtingo improvised melodic flourish Sataro improvisatory slightly out of time and even speech like style of singing higher pitch range Fontomfrom drums within the ensemble use of the ensemble royal drum ensemble comprised of dawuro bell and three pairs of drums atumpan and eguankoba played when chief makes appearances Musical syncretism Diaspora Apartheid The dispersion of any people from their original homeland Was a system of racial segregation in South Africa enforced through legislation by the National Party governments the ruling party from 1948 to 1994 under which the rights associations and movements of the majority black inhabitants were curtailed and Afrikaner minority rule was maintained Ang lique Kidjo born in benin in 1960 to musical family professional career began at age 20 international career in Paris mixed Fon cultural roots with American soul rhythm and blues funk and jazz Chimamanda Adichie Danger of a Single Story a limited perspective does not give the whole story Songs From PowerPoint Unomathemba Ladysmith Black Mambazo Fontomfrom Nyamaropa Ephat Mujuru Nkokwane musical bow of Qwii people of southern Africa Endongo bowl lyre national instrument of the Baganda people of Uganda Dounuya Atlanta Kaira Okan Bale Chapter 11 Latin American Bossa nova created in late 1950 s associated with the middle class white South Zone of Rio de Janeiro combines samba styles rhythmic and other musical elements with American jazz and popular music Samba became popular in jazz circles best known Brazilian musical tradition overarching terms that encompass a number of musical genres many musical elements can be traced to African origins polyrhythmic layered textured driving percussive rhythmic patterns call and response singing improvisation Tropic lia Tango and criollos Founded by Caetano Velsos and Gilberto Gil musicians from Bahia infleunced by bossa nova but also the Beatles Jimi Hendrix and James Brown Combine music and sociopolitical principles Originally created in the brothels and bars of Buenos Aires Argentine in the late 1800 s associated with lower class portenos mixture of Europeans people of African descent combines many musical influences eventually moved out of brothels and onto international stage brazils tendency to cannibalize other cultures and digest them and producing something father of brazilian modernist published manifesto antropofagico in which he describes brazils s culture of cannibalizing Cultural cannibalism entirely new countries greatest strength Oswalde de Andrade other cultures Julajula yiya arka used in harvest ritual called kusicha timpu made up of 2 half instruments each played by a different player ensemble of 25 30 men all playing different sized julajula in pairs NO DRUMS MOTHER FUCKER Ayllu location characteristics cultural practices made up of extended family lineages locations of residency and ancestry and unique groups that have social solidarity and create harmonious relationships with the natural world and the spiritual realm music is crucial to the ritual and daily life Santer a Combining the indigenous Yoruba religion with Catholicism Overlap in veneration of saints versus veneration of Yoruba Gods Rumba guaguanc Music accompanying dancing all percussion and voice all rhythms derived from a single rhythm clave dance performed supposed to initiate mating ritual between rooster and hen Celia Cruz Tito Puente queen of salsa most influential female figure in the history of Cuban music King of salsa newyorican heavily influenced by jazz and Cuban music joined Machitos orchestra played with Machito and the Afro Cubans music was a prado style afro cuban percussion and rhythm American jazz Carlos Santana San Francisco based rock band with Latin dance twist diverse musical influences jazz blues rock Latin dance Celeste Mendoza Oye Como Va mulatta queen of guaguanco song by el rey bravo 1963 Pan Latino identity blending american rock and latin dance honoring difference while insisting on inclusion Cielto Lindo traditional Mexican verse chorus form supposedly composed by Quirino Mendoza y Cortes multiple meanings Single trumpet vihuela guitar guitarron male lead singer and chorus no violins tripple meter in armonia section Mariachi Frito Bandito Steelpan Proud symbol of Mexican identity also tied to negative condescending stereotypes mass media portrayals corn chip commercials produced in the US between 1967 1971 Steelpans also known as steel drums or pans and sometimes collectively with other musicians
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