Lecture 24Outline of Last Lecture I. Timothy O’Sullivan. A Harvest of Death, Gettysburg, Pennsylvania, 1863.Albumen print by Alexander Gardner II. Alfred Stieglitz The Steerage, 1907 (print 1915) Photogravure (on tissue)III. Hannah Hoch. Cut With the Kitchen Knife Dada Through the Last Weimar Beer Belly Cultural Epoch of Germany, 1919-20 IV. Dorothea Lange. Migrant Mother, 1935, gelatin silver printV. Andreas Gursky. Chicago Board of Trade II, 1999. C-printOutline of Current Lecture I. Auguste and Louis Lumière, Workers Leaving the Lumière Factory, 1895 (video 0:00:41)II. Auguste and Louis Lumière, Train Arriving at the Station at La Ciotat, 1895 (video 0:00:44)III. Auguste and Louis Lumière, Demolition of a Wall, 1896 (video 00:01:15)IV. Thomas Edison, The Kiss, 1896 (video 00:00:29)V. Georges Méliès, A Trip to the Moon, 1902 (video 00:02:38)Current LectureDate: April 28, 2015Title: FilmProfessor: Robert SilbermanReadings: Anne Friedberg, “The End of Cinema: Multimedia and Technological Change,” in Reinventing Film Studies, ed. Christine Gledhill and Linda Williams (Arnold: London, 2000), pp. 438-452.Terms:- Cinema of attractions: a cinema that displays its visibility, willing to rupture a self-enclosed fictional world for a chance to solicit the attention of the spectator. This meaning that cinema could be created, not necessarily as an entertainment function but more along the lines that a film would attract its spectators by presenting something exclusive, something unique.- Realism: A movement that emerged in mid-19th century France. Realist artists represented the subject matter of everyday life in a relatively naturalistic mode. (Book E)- Animation: the technique of photographing successive drawings or positions of puppets or models to create an illusion of movement when the movie is shown as a sequence.- Montage: the process or technique of selecting, editing, and piecing together separate sections of film to form a continuous whole.- Auteur: a filmmaker whose personal influence and artistic control over a movie are so great that the filmmaker is regarded as the author of the movie.- New Wave: a cinematic movement that is characterized by improvisation, abstraction, and subjective symbolism and that often makes use of experimental photographic techniques- Genre: a category of artistic composition, as in music or literature, characterized by similarities in form, style, or subject matter. ArtH 1001 1st Edition- CGI: Computer-generated imagery (CGI) is the application of computer graphics to create or contribute to images in art, printed media, video games, films, television programs, commercials, videos, and simulators.Works:- Auguste and Louis Lumière, Workers Leaving the Lumière Factory , 1895 (video 0:00:41)- Auguste and Louis Lumière, Train Arriving at the Station at La Ciotat , 1895 (video 0:00:44)- Auguste and Louis Lumière, Demolition of a Wall , 1896 (video 00:01:15)- Thomas Edison, The Kiss , 1896 (video 00:00:29)- Georges Méliès, A Trip to the Moon , 1902 (video 00:02:38)I. Auguste and Louis Lumière, Workers Leaving the Lumière Factory, 1895 (video 0:00:41)- People streaming out two doors- Steady flow of people leaving factory- Documentary filmo Real workerso However, multiple versions were found Workers knew they were being filmed Most likely told to walk out and not look at cameraII. Auguste and Louis Lumière, Train Arriving at the Station at La Ciotat, 1895 (video 0:00:44)- Speed- Part of tourism- Film became more mobile as cameras became smaller and more advancedIII. Auguste and Louis Lumière, Demolition of a Wall, 1896 (video 00:01:15)- Lots of motion and activity- Shows events backwards- Starts realistic, ends fictionalIV. Thomas Edison, The Kiss, 1896 (video 00:00:29)- Hollywood- Balcony Sceneo Cheato Not in front of real ocean- Romantico Dramatic love sceneo Lots of small kisseso No kiss should last more than 3 secondso Move aroundo Audience “in middle of kiss”V. Georges Méliès, A Trip to the Moon, 1902 (video 00:02:38)- Early narrative based on Jules Verne (French writer)- Every frame is hand-colored in original- Small studio- Backdrops are painted- Discussion about going to moon- One camera- One shot per scene- Disturbance to make things more lively- Sound is added- Change out of academic robes- Factory sceneo Work is mainly for showo Three men banging on steel, not actually accomplishing anything- Launch sceneo Size of houses Not realistic- Moono Moon gets hit in the eye with lunar probeo Theatricalo You see the lunar probe hit the eye, and then you see it land againo Personified starso Saturn is a grumpy old