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TAMU ARTS 150 - Abstract Expressionism II
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Arts 150 1st Edition Lecture 29Outline of Current Lecture I. Abstract ExpressionismCurrent Lecture- New York Cityo Influenced by Pearl Harbor, Cold War, WWII  Financial independence in feminist movement- Walker Evans “Subway Portrait” 1941o Subway prison- Clement Greenbergo Philosopher of art movement for nonrepresentational arto “Exploration of new forms, abstract”o “Purity of Painting”o “Painting should be flat/2D”- Hans Hoffman o Bridge to abstract expressionismo “Table with TeaKettle, Green Vase, Red Flowers” Cubist influenceo Automatic Painting/ Push and Pullo “The Gate” abstraction/cubism Correlation between painting and music- Arshile Gorkyo Armeniano “The Artist and His Mother” 1929-34 His mother died of starvationo “Organization” 1933-36 Cubismo “The Liver is the Cock’s Comb” 1944- Abstract Expressionismo Action Painting- spontaneous Pollock, Kooning, Kline, Krashen, Tobeyo Colorfield painting- used color Rothko, Newman, Still, Gotlieb “Eyes of Oedipus” Gottlieb 1945 “Sacrifice of Ighigenia” Rothko (1942)These notes represent a detailed interpretation of the professor’s lecture. GradeBuddy is best used as a supplement to your own notes, not as a substitute.- Both of previous works were greek mythology inspired “Unititled” Rothko 1949- Used colored shaped- Action abstract art- William de Kooning- New York but from the Netherlandso “Woman I” 1950o “Woman and Bicycle” 1952 Derived models from advertisementsjo Excavation” 1950 Bird and fish shapeso “Door to the River” 1960- Concepts and Techniqueso Action Painting- process on canvaso Push and Pull- light and darko Abstraction vs Representationo Art= self discoveryo Carl Jung- collective unconsciousness- universal archetypes Plato- Lee Krassnero “Untitled” 1949o “Untitled” 1949” Cubisto “Noon” 1947o “The Seasons” 1957o “Polar Stampede” 1960- Jackson Pollocko “Going West” 1934o “Camp with Oil Rig” 1930so “Portrait and a Dream”o “Male and Female- Picassoo Guernicao Weeping Woman with a


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TAMU ARTS 150 - Abstract Expressionism II

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