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TAMU ARTS 150 - Modernism II
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Arts 150 1st Edition Lecture 22Outline of Current Lecture I. ModernismCurrent Lecture- 1913-1967 Ad Reinhardto “How to look at things through a wine glass”- Major idea of US and Reinhardt- Art for Art’s Sakeo Elimination of exterior symbols/signs of painting distracting from the purity of art- European Modern Art- Avant Garde (to move ahead)o Toward abstraction- move away from realismo Emphasizes hysical process of art making- brushstrokes visible Modern architecture reveals rather than concealso Question the nature of art- continually adopting new techniques and materials- European Modern Arto Connotes a rejection of conventiono Commitment to radical innovationo Process of experimentationo Discovery o Seeking new possibilities of creativity in a rapidly changing world- Late 19th century American art: realism, neoclassical, impressionismo Winslow Homero Daniel Chester Frencho Thomas Eakinso John Singer Sargento Cecilia Ceauzo Henry Ossawa Tannero Mary Cassato James Abbot McNeill Whistler- Winslow Homer, Illustrator for Harpers Magazineo “Veteran in a New Field” 1865 Paralleled to Gustave Courbet “The Stone Breakers”- Humans acting as machines Paralleled to Millet “The Gleaners”- Winslow Homer “The Coton Pickers”- Winslow Homer “Snap the Whip” 1872 oil on canvasThese notes represent a detailed interpretation of the professor’s lecture. GradeBuddy is best used as a supplement to your own notes, not as a substitute.- Winslow Homer “Lifeline” 1884o Impression of human struggle to fight nature- Winslow Homer “Fog Warning”- Thomas Eakins 1844-1916, a modern classico “The Gross Clinic” 1875 Infused art and science similar to DaVinvi 1876 fine arts show in Philadelphia Details violence and blood Look back at Caravagio and Rembrandt “Anatomy Lesson”- Thomas Eakins “Max Schmit in a Single Skull” 1875o Artist himself is in


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TAMU ARTS 150 - Modernism II

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