Arts 150 1st Edition Lecture 22 Outline of Current Lecture I Modernism Current Lecture 1913 1967 Ad Reinhardt o How to look at things through a wine glass Major idea of US and Reinhardt Art for Art s Sake o Elimination of exterior symbols signs of painting distracting from the purity of art European Modern Art Avant Garde to move ahead o Toward abstraction move away from realism o Emphasizes hysical process of art making brushstrokes visible Modern architecture reveals rather than conceals o Question the nature of art continually adopting new techniques and materials European Modern Art o Connotes a rejection of convention o Commitment to radical innovation o Process of experimentation o Discovery o Seeking new possibilities of creativity in a rapidly changing world Late 19th century American art realism neoclassical impressionism o Winslow Homer o Daniel Chester French o Thomas Eakins o John Singer Sargent o Cecilia Ceauz o Henry Ossawa Tanner o Mary Cassat o James Abbot McNeill Whistler Winslow Homer Illustrator for Harpers Magazine o Veteran in a New Field 1865 Paralleled to Gustave Courbet The Stone Breakers Humans acting as machines Paralleled to Millet The Gleaners Winslow Homer The Coton Pickers Winslow Homer Snap the Whip 1872 oil on canvas These notes represent a detailed interpretation of the professor s lecture GradeBuddy is best used as a supplement to your own notes not as a substitute Winslow Homer Lifeline 1884 o Impression of human struggle to fight nature Winslow Homer Fog Warning Thomas Eakins 1844 1916 a modern classic o The Gross Clinic 1875 Infused art and science similar to DaVinvi 1876 fine arts show in Philadelphia Details violence and blood Look back at Caravagio and Rembrandt Anatomy Lesson Thomas Eakins Max Schmit in a Single Skull 1875 o Artist himself is in image
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