Arts 150 1st Edition Lecture 22Outline of Current Lecture I. ModernismCurrent Lecture- 1913-1967 Ad Reinhardto “How to look at things through a wine glass”- Major idea of US and Reinhardt- Art for Art’s Sakeo Elimination of exterior symbols/signs of painting distracting from the purity of art- European Modern Art- Avant Garde (to move ahead)o Toward abstraction- move away from realismo Emphasizes hysical process of art making- brushstrokes visible Modern architecture reveals rather than concealso Question the nature of art- continually adopting new techniques and materials- European Modern Arto Connotes a rejection of conventiono Commitment to radical innovationo Process of experimentationo Discovery o Seeking new possibilities of creativity in a rapidly changing world- Late 19th century American art: realism, neoclassical, impressionismo Winslow Homero Daniel Chester Frencho Thomas Eakinso John Singer Sargento Cecilia Ceauzo Henry Ossawa Tannero Mary Cassato James Abbot McNeill Whistler- Winslow Homer, Illustrator for Harpers Magazineo “Veteran in a New Field” 1865 Paralleled to Gustave Courbet “The Stone Breakers”- Humans acting as machines Paralleled to Millet “The Gleaners”- Winslow Homer “The Coton Pickers”- Winslow Homer “Snap the Whip” 1872 oil on canvasThese notes represent a detailed interpretation of the professor’s lecture. GradeBuddy is best used as a supplement to your own notes, not as a substitute.- Winslow Homer “Lifeline” 1884o Impression of human struggle to fight nature- Winslow Homer “Fog Warning”- Thomas Eakins 1844-1916, a modern classico “The Gross Clinic” 1875 Infused art and science similar to DaVinvi 1876 fine arts show in Philadelphia Details violence and blood Look back at Caravagio and Rembrandt “Anatomy Lesson”- Thomas Eakins “Max Schmit in a Single Skull” 1875o Artist himself is in
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