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TAMU ARTS 150 - Renowned Renaissance Paintings
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Arts 150 1st Edition Lecture 10Outline of Current Lecture I. Renowned Renaissance PaintingsCurrent Lecture- Perugino “Delivery of the Keys to St.Peter” Fresco, right wall Sistine Chapel, Rome 1485o Main characters in fore groundo Linear system- Raphael “Marriage of the Virgin” 1504 oil on wood 5x3 Altarpiece (St. Joseph Chapel of San Francesco) o The Golden Legend (Voragine)provided additional info to incorporate in arto Temple in background source of vanishing pointo Centrally planned structureo Linear system - Fra Angelico “Enthroned Virgin and Child with Saints” San Marco Altarpiece c. 1438-1443o Linear perspectiveo Jan.6 epiphanyo Oriental rugo Vantage point is throneo Christ holds an orb- reviving of symbol of power over Earth with orb with inscription “Jerusalem”o Virgin holds Christo Orb at transverse line and centered therefore Christianity centered as Christian world- Alberti’s perspective diagram - Paolo Ucello “the Battle of San Romane” 1428-1440 tempera on wood for Medici Palaceo Foreshortening- illusion created on a flat surface in which figures/objects appear to recede or project sharply- Andre del Castagno “Last Supper” fresco for the refectory, convent of Santa Apollonia, Florence 1447o Christ sits with a blessing hando John sleepso Judas sitting o Paneled walls- Andrea Mantegna “Dead Christ” 1466 commissioned by Gonzanga familyo Nail holes in Christ’s hands and feetThese notes represent a detailed interpretation of the professor’s lecture. GradeBuddy is best used as a supplement to your own notes, not as a substitute.o Used foreshadowingo Linear perspective- with a series of vertical and horizontal lineso Montegna impacted Renaissance leaders in Germanyo Mary and John the Baptist crying- Fra Angelico- created many frescos in logia for monestarieso “Annunciation” 1435-45 Fresco 7’x10’ hallway of monastery St.Marco Florence Commissioned by Cosimo de Medici 2nd replication of “Annunciation” 6’x5’ in Monastery cell- Reflects importance of revelation and prayer- Sandro Botticelli- master of lineso “Birth of Venus” 1484-1486 Tempera and gold on canvas 5’9”x9’2” Venus pudicca from ancient rome helenic art- portrayed naked Also contains Nimph Commissioned by Medici Inspired by book by Agnolo Poliziano- humanist- New platonic allegory of the human story- Revival of plato’s philosophy- neoplatonic philosophy meaning of the art: birth of love and spiritual beauty o Botticelli- “Primavera” Spring tempera on wood- 6x10 1482 Medici commissioned Golden apples Zephyrus kidnaps the virgin Flora  Venus in middle representing Humanism- this time clothed unlike “Birth of Venus” Allegory of Spring Greco Roman Sculpture strong influence Commissioned by


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TAMU ARTS 150 - Renowned Renaissance Paintings

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