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TAMU ARTS 150 - Leonardo DaVinci
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Arts 150 1st Edition Lecture 11Outline of Current Lecture I. Writing workshopCurrent Lecture- Major artists to knowo Peruginoo Raphael “Marriage of the Virgin”o Frangelico “Enthroned Virgin and Child with Saints” Important middle focused vanishing point- pointed at Christ Child Perspective diagram centered on Jesus- Constantinople/Istanbul and Jerusalem – major Christian cities- Botticelli- creative artist who changed the from the religious theme to the neoplatonic academyo “Spring” aka Primavera Idea of mortal normal soul  Model of female figure derived from classical sculpture- venuspudica- Pierodella Francesca- Portraits of Federico da Montefelto and Battista Sforzao More fidelity to Alberti’s systemo Duke and Duchess of Urbinoo Emphasis on 3D formso Foreground portrait; background landscapeo Provide info on most elegant and fashionso 1472-73o Duke active humanit and Scholar; commissioned libraryo On reverse of portraits is painting depicting “Triumph of Federico and Baptista” Virtues depicted- chastity and modedstyo Petrarch’s Triumphs- reflected in the paintings- Donatello started depicting real life people not saints in his military people portraits- Equestrian statue of Galtamelata- Leonardo DiVinci- major in development of Renaissance 1452-1519o Completed early Renaissance by 1400so Left Florence approx. 1481 and offered his painting services to Duke of Milano The Duke then commissioned him for the Last Supper Wall painting for Monastery of Santa Maria della Grazie MilanThese notes represent a detailed interpretation of the professor’s lecture. GradeBuddy is best used as a supplement to your own notes, not as a substitute. Worked directly on dry fresco and with oil and tempera Painting narrowly escaped destruction in WWII  Commissioned for Ludovico Sforza Jesus has just said “one of you will betray me” Disciples talking and moving with lots of gestures Jesus not in dialogue w group around him Curve of door above his head acts as halo Christ focal and vanishing point Judas in first group to left of Jesus with St.Thomas Judas clutches a money bag- Andrea del Castagio “Last Supper” 1450o Judas in fronto Challenges traditional iconography by placing Judas on opposite side of table- Leonardo “Virgin and Saint Anne with Christ Child and Young John the Baptist”o Charcoal o Created pictorial styleo Hazy background- staple of his paintingo “Virgin and Saint Anne with Christ Child” with lamb and hazy backgroundo Depicts Virgin and child in profile/at angle unlike all of the “Virgin Enthroned” images More narrative power with movement Virgin and child form diagonal lines across image- Leonardo “Mona Lisa”o Source of woman Roman Byzantine woman- Maria Maggioreo Took 3 years to complete this paintingo Similar facial features- long round nose, round well defined chin, corners of mount tucked in- similar hand movement and expression/reflection Comparison to saint luke icon Santa Lisa Maria Maggioreo Sfumato- hazy quality or background- moves from unknown to known- smoky effecto Chiascuro- degradation of light also emphasizedo Originally done for a man but he felt guilty for having lust for a sacred character so he removed


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TAMU ARTS 150 - Leonardo DaVinci

Type: Lecture Note
Pages: 2
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