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TAMU ARTS 150 - Giotto and Frescos
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ARTS 150 1st Edition Lecture 3Outline of Current Lecture II. GiottoIII. FresciosCurrent Lecture- Last Classo Giotto v. Cimabue Giotto has more defined featureso Golden Legendo Gesso- Giotto “Raising of Lazurus” in Arena Chapel Frescoo Figures twisting in space o Lazurus’ miracle coming back to lifeo Dark hue in background- Giotto “Noli Me Tangere” “Do not touch me woman, yet”o Fresco Arena Chapelo Jesus raised from dead and Mary at his feet- Giotto “Lamentation” o Fresco Areana Chapel 1300so Influenced by “Lamentation” Byzantine Empire 1164 Can tell because of elongation of Jesus’s body and dramatic air from Byzantine arto Giotto influenced all future reworks of the “Lamentation”o Diagonal slope of rocks in foreground with dark shadowso Painted people in cloaks all expressing deep grief- 3rd cycle of Arena Chapel Fresco- Last Judgemento Mandorla around Christ- Nicola Pisano “Pulpit” o Height 15’ in Pisa (artistic center or city)o Transition of medieval structure into Roman sculptureo Right panel annunciation o Adapted from Giotto “Nativity” Arena Chapel Fresco- “Nativity” of Siena 1270 from Guidodao Influenced by Giottoo Very powerful piece that was renowned in the areaThese notes represent a detailed interpretation of the professor’s lecture. GradeBuddy is best used as a supplement to your own notes, not as a substitute.- Giotto’s Innovationso Depiction of humanity/emotionso Emergence of reality effectso Introduced drama scenceso Construction of believable picture space- Giotto- heir to general trend of borrowing from Byzantine art and related local sourceso Influence of the Franciscan order- Italyo After Franciscan is Mendican Order- austere life- Fresco Techniqueo 1st rough layer of plastero Underdrawing w metal styleso Fresh plaster on small sectiono Colors pained on, seeps into plaster and dries overnight- Duccio di Buoninsegna 1278-1318o Famous replication of Madonna and the


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TAMU ARTS 150 - Giotto and Frescos

Type: Lecture Note
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