Arts 150 1st Edition Lecture 24Outline of Current Lecture I. American Art between 1920-30sCurrent Lecture- Charles Demuth “My Egypt” 1927- Charles Sheeler “American Landscaoe” 1930- Demuth- PA borno Precisionist movemento Motifs from modern industrial landscapeo Relate US industrial landscape to exotic places- Sheeler- PA borno Celebration of modern industrial age Demuth as wello Geometric simplification from cubist movement- Max Weber “New York Rush Hour” 1915o Favorite of the photographer Stieglitzo Visualization of NYCo Overwhelming colors and patternso Cubists made compelling structural forms- Charles Demuth “ The Figure 5 in Gold” 1928o William Carlos Williams- poet for which painting was done for - Sheeler’s Industrial Photography- inspiration for his works- Sheeler “Classic Landscape” 1931o Photographic details with cubist influences- Marsden Hartley “Portrait of a German Officier” 1914o Portraiture movemento Involves history – WWIIo Image derived from German flag, Emperial Germany, WWIIo Bold arrangement of forms- Alfred Stieglitz “Georgia Okeeffe: A Portrait-Head”- Okeeffe “Red Canna”o “Black Iris III”o The Radiator Building Night” From Stieglitz “The Shelton”o “The Shelton with Sunspots” 1926These notes represent a detailed interpretation of the professor’s lecture. GradeBuddy is best used as a supplement to your own notes, not as a substitute. Unify urban and natural themeso Ranchos Church Taos NM After 2st visit to NM and then she settled thereo “Cow’s Skull: Red, White and Blue” Combines non-western and western art- Ansel Adams “Monolith, the place of half dome, Yosmite National Park”o Done at 14o Reveals shape of Earth and Rocko Ansel Adam’s photography of Yosemite atop his car 1942 Combines photography and nature- Imogen Cunningham “Magnolia Blossom” 1925o Blown-up detailso Photograph in outstanding
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