Arts 150 1ST Edition Lecture 9 Outline of Current Lecture II Massacio vs Fabriano III Albert Current Lecture Gentle da Fabriano Adoraton of the Magi 1423 tempera wood in Strozzi family chapel St Trinita Church 9 10 x9 3 o A lot of disorder in this paintng o Compared to Masaccio s work because of the vast differences Mazzacio Tribute Money o narratve paintng telling a story unlike Fabriano s o Christ is centered and surrounded by disciples unlike the unorganized chaotc assembly of people in Fabrianos o Peter is gabbing coin out of fish s mouth far left for tax collector far right o Unlike Fabriano Mazzacio gives idea of what is going on in the narratve and who the main characters are o Light strikes Mazzacio s figures at an angle Chiaroscuro o Chiaroscuro is borrowed from sculpture to give deep structural details with contrast between light and dark Paintng in one pt perspectve 1st vanishing point is at Christ s head Mazzacio s Achievement in Tribute Money o Adaptaton of perspectve to narratve ends o Raking light Chiaroscuro o Feet fully grounded o Figures have 3D volume and are believeable o Consistent light source These notes represent a detailed interpretation of the professor s lecture GradeBuddy is best used as a supplement to your own notes not as a substitute o Atmospheric perspectve Massacio Trinity 1425 28 Fresco in Santa Maria Novella Florene o Commissioned by Lenzi family to decorate family chapel o Give illusion of a niche in the wall o Mother and father were portrayed in the Fresco o Below altar in paintng is tomb w Adam o Background painted architecture o Painted by Masaccio by designed by Brunelleschi o A base of fresco what you are now I once was what I am now you will be o Fresco was translated to monument o Viewing point 1 pt perspectve Design of Albert s Perspectve Constructon Treatse On Paining 1435 o Albert was an architect o 3D on 2D constructon of vanishing point vanishing point at man s head orthogonal lines run diagonally transversal lines parallel to base tles of diminishing size creates 3D heads always on horizon line isocephaly Raphael s teacher Perugino Perugino Delivery of the keys to St Peter fresco right wall of Sistne Chapel Rome 1481 o Horizontal line dividing foreground o Architectural movmens in background combined 3D o 2D Albert s advice o Use of light and shade relieve o Use of isotoria narratve o Use of movement of body hair and clothes o Use of dignity and restrain o Reveal of emotons through movement Raphael Marriage of the Virgin 10 oil on wood altarpiece St Joseph Chapel of SAN Fransesco
View Full Document
Unlocking...