ARTS 150 1st Edition Lecture 4Outline of Current Lecture II. DuccioIII. The Early Renaissance ImpactCurrent Lecture- Duccio “Maestra”o Multiple panel art- polypticho Commissioned for high altar of the Siena Cathedralo 7ft high central panelso 7 pinnacle aboveo Painted on front and backo Main Panel- on view at Museum of Sieannese Cathedral Represents virgin enthroned w/ babe as queen of heaven surrounded by saints and angelso Duccio distinguishes angels and saintso Maestra is symbol of Sienna’s devotion to virgino Has people cloaked in Chinese silk and emphasized the exotic texture/color of the fabrico Back emphasizes his narrative work- life and ministry of Christ- with many panels- Giotto v. Duccioo Duccio had a panel on the back of the Passion/resurrection that was another version of Noli Me Tangere or Don’t touch me womano Duccio has much more elaborate version than Giotto w background, w vibrant colors and lack of Roman soldierso Another panel “the Betrayal of Jesus” by Judas with false kiss Giotto emphasizes weapons and Duccio emphasizes background- Pietro Cavellini “The Last Judgement” fresco in Santa Celilia in Trastevere in Rome o Inspired other Renaissance paintings and Smithson, an installation artist who hada special interest in Cavellini Dia art foundation- Heinrich Friedrish- developed modern art foundation “Communal Kitchen” Ilya Kabakov 1992-5- Giotto and his Arena Chapel in Paris was major influence “Rothko Chapel” Houston, TX 1971 by Dominique de MenileThese notes represent a detailed interpretation of the professor’s lecture. GradeBuddy is best used as a supplement to your own notes, not as a substitute.- 1 art in 1 space concept- derived from Giotto and early
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