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ARTS 150 1st Edition Lecture 4 Outline of Current Lecture II Duccio III The Early Renaissance Impact Current Lecture Duccio Maestra o Multiple panel art polyptich o Commissioned for high altar of the Siena Cathedral o 7ft high central panels o 7 pinnacle above o Painted on front and back o Main Panel on view at Museum of Sieannese Cathedral Represents virgin enthroned w babe as queen of heaven surrounded by saints and angels o Duccio distinguishes angels and saints o Maestra is symbol of Sienna s devotion to virgin o Has people cloaked in Chinese silk and emphasized the exotic texture color of the fabric o Back emphasizes his narrative work life and ministry of Christ with many panels Giotto v Duccio o Duccio had a panel on the back of the Passion resurrection that was another version of Noli Me Tangere or Don t touch me woman o Duccio has much more elaborate version than Giotto w background w vibrant colors and lack of Roman soldiers o Another panel the Betrayal of Jesus by Judas with false kiss Giotto emphasizes weapons and Duccio emphasizes background Pietro Cavellini The Last Judgement fresco in Santa Celilia in Trastevere in Rome o Inspired other Renaissance paintings and Smithson an installation artist who had a special interest in Cavellini Dia art foundation Heinrich Friedrish developed modern art foundation Communal Kitchen Ilya Kabakov 1992 5 Giotto and his Arena Chapel in Paris was major influence Rothko Chapel Houston TX 1971 by Dominique de Menile These notes represent a detailed interpretation of the professor s lecture GradeBuddy is best used as a supplement to your own notes not as a substitute 1 art in 1 space concept derived from Giotto and early renaissance


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TAMU ARTS 150 - Duccio and the Early Renaissance Impact

Type: Lecture Note
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