Exam 3 Study Guide Chapter 10 Study Items counterculture 275 299 300 491 a subculture existing in opposition to and espousing values contrary to that of the dominant culture Nashville sound countrypolitan 276 a newly sophisticated approach to the vocal presentation and instrumental arrangement of country music A fusion of country and cosmopolitan with Nashville being the new center Ray Charles 278 81 a song writer singer and performer Was able to cross over to many different genres and became very successful throughout his career sampled 284 492 a digital recording process wherein a sound source is recorded with a microphone converted into a stream of binary numbers that represent the profile of the sound quantized and stored in computer memory polyrhythms 284 491 the simultaneous sounding of rhythms in two or more contrasting meters groove 288 491 a term used to describe the channeled flow of swinging funky or fat rhythms urban folk music 167 288 songs that were inspired by rural folk songs performed by urban intellectuals Greenwich Village New York City in class film the center for Bohemian style music in the 1960s Newport Folk Festival in class film textbook pg 293 Bob Dylan performed with an electric guitar and was booed off stage but later fans started following him with the new guitar Bob Dylan in 1965 293 Moved from being the most distinctive songwriter among urban folk artists to being an epochal influence on American culture Summer of Love 302 summer of 1967 Counterculture participants headed to San Francisco with flowers in their hair and listening to the Beatles Sgt Pepper s Lonely Hearts Club Band Sgt Pepper s Lonely Hearts Club Band 302 05 An album by the Beatles released in the summer of 1967 It was as revolutionary a work of pop musical arts that had ever been made psychedelic rock 305 refers to the music played by San Francisco bands which included folk rock blues hard rock Latin music and Indian classical music acid rock 306 a form of psychedelic rock which is characterized by long instrumental solos few if any lyrics and musical improvisation Haight Ashbury San Francisco 305 the center of the hippie movement hippie movement 305 from 1960 1969 Teenagers moved to San Francisco to play psychedelic rock Experimented with drugs and was one with nature Monterey Pop Festival 307 a three day concert event held June 16 to June 18 1967 at the Monterey County Fairgrounds in Monterey California Monterey was the first widely promoted and heavily attended rock festival attracting an estimated 55 000 total attendees with up to 90 000 people present at the event s peak at midnight on Sunday Connie Francis Everybody s Somebody s Fool 1960 and Who s Sorry Now 1958 Patsy Cline I Fall to Pieces and Crazy 1961 Chapter 10 Listenings Jim Reeves He ll Have to Go 1960 Ray Charles I ve Got a Woman 1954 Hallelujah I Love Her So 1956 What d I Say 1959 blues gospel Georgia On My Mind 1960 I Can t Stop Loving You 1962 James Brown Please Please Please 1956 Papa s Got a Brand New Bag 1965 There Was a Time 1968 Say It Loud I m Black and I m Proud 1968 I Never Loved A Man The Way I Loved You 1967 Aretha Franklin Think 1968 Respect 1967 Amazing Grace 1972 Bob Dylan Blowin In The Wind 1963 Like a Rolling Stone and The Times They Are a Changin Peter Paul and Mary If I Had a Hammer Joan Baez Diamonds and Rust and The Night They Drove Old Dixie Down Judy Collins Both Sides Now and Send In the Clowns Burt Bacharach Hal David music lyrics Dionne Warwick I Say a Little Prayer Simon and Garfunkel The Sounds of Silence 1965 Beatles Sgt Pepper s Lonely Hearts Club Band 1967 With a Little Help from my Friends and Lucy in the Sky with Diamonds Jefferson Airplane with Grace Slick Somebody to Love 1967 and White Rabbit Grateful Dead Touch of Grey and Casey Jones Janis Joplin Piece of My Heart and Summertime Jimi Hendrix Purple Haze and Love or Confusion Cream with Eric Clapton Crossroads 1968 Eric Clapton I Shot the Sheriff and Wonderful Tonight Creedence Clearwater Revival Down on the Corner and Have You Ever Seen the Rain Chapter 11 Study Guide Study Items The Me decade 316 a shift in values of young adults from communitarian politically engaged ideals of the 1960s counterculture toward more materialistic and conservative attitudes Cassette tapes and eight track cartridges 317 introduced in the mid 1960s and became very popular during the 1970s By 1975 prerecorded tapes accounted for a third of record sales in America AOR 318 album oriented rock FM stations focused on white males age 13 25 Featured hard rock bands such as Led Zeppelin and art rock bands like Pink Floyd Usually excluded black artists Top 40 playlist format 318 AM stations were given playlists by consultants who made the lists and this resulted in diminished range of choice for AM listeners FM radio 318 In the 1970s FM radio stations increased by a thousand and its popularity surpassed AM oldies radio 319 stations played songs from the 50s and 60s Elvis scored more than 20 top 40 hits in the 70s and Chuck Berry got his first Number One pop record in 1972 High fidelity LP 331 when listened to it put the listener into the middle of the music and allowed sound sources to move around Disco 343 44 1975 1980 An alternative to rock music Centralized on social dancing de emphasized the importance of the band and DJs brought back the single and expanded it to fill the time frame offered by twelve inch LP discs Commercial mainstream music 319 Pop Rock Elton John Paul McCartney Chicago Adult Contemporary Neil Diamond the Carpenters Sing songwriters Paul Simon Carole King James Taylor the O Jays the Spinners Al Green Barry White John Denver Olivia Newton John Kenny Rogers the Jackson Five the Osmonds Donna Summer the Bee Gees the Village People Chic Soft Soul Country Pop Bubble Gum Disco Listenings The Jackson Five ABC 1969 and I Want You Back 1969 Ain t No Mountain High Enough 1967 and Let s Get It On 1973 Tin Man 1974 and Ventura Highway 1972 The Carpenters We ve Only Just Begun 1970 and Sing 1973 It s Too Late 1971 and I Feel the Earth Move 1971 Superstition 1972 and I Just Called to Say I Love You 1984 Crocodile Rock 1972 and Philadelphia Freedom 1975 Barry White and the Love Unlimited Orchestra Love s Theme 1974 and Can t Get Enough of Your Love 1974 Marvin Gaye America Carole King Stevie Wonder Elton John John Denver Thank God I m a Country Boy 1974 and Take Me Home Country Roads 1971 Eagles Led Zeppelin Santana Pink Floyd Bee Gees Chic Hotel
View Full Document
Unlocking...