FILM 3660 1st Edition Lecture 20 Outline of Last Lecture November 10 2014 1 Framings 2 The Pomona College Project 3 Institutional Critique 4 Carl Andre Equivalent VIII meets Dan Graham Split Level Ground Level 5 Haacke Real Estate Holdings 6 Daniel Buren Peinture Sculpture Outline of Current Lecture November 12 2014 I The Picture Generation II Untitled Sherrie Levine III Untitled Film Still 7 Cindy Sherrman IV Sarah Charlesworth Current Lecture 1 The Picture Generation The critical postmodernism v antimodernist or postmodernism o Eclectic Art Random grouping of images ex The Julian Schnaple Painting o Artistic mediums are not value neutral but are infected by media o There are no safe spaces from the media and the economy infection and colonization o The wiping out of marginal spaces in culture and the loss of relief from down time Postmodernism no longer means in the intrinsic meaning of art The purpose of art is now in how it circulates no longer authentication or origin Appropriation Not the way that the art is produced but instead how it is circulated pg 624 2 Untitled Sherrie Levine An assisted readymade when a found object is modified in a certain way All she did was found an already made image and cropped it Reminds viewer of male nudes in Greek and Roman high civilization Reflect on all the links references networks associated with this photo None of these links are original network of culture no original male torso Challenge to authorship and the death of the author These notes represent a detailed interpretation of the professor s lecture GradeBuddy is best used as a supplement to your own notes not as a substitute What s Weston doing Is he the creator or the owner Photograph of another photograph 3 Untitled Film Still 7 Cindy Sherrman Identity formation deep inside you there is nothing there all you have is the rhetorical tools that society gives you to create yourself These tools are social media related Separation and layering of an image the space between o Pre Packaged Identity the image o The actual figure the support of the image Critical distance between who we are and who society tells us who to be 4 Sarah Charlesworth The way in which the media participates in public consensus She removes writing from the newspapers in order to show the viewer pattern Journalistic propaganda media alludes by power Some members of society get more attention than others white male leaders Disagrees with mythical operations they are not natural they are just as constructed as anything else
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