FILM 3660 1nd EditionExam # 1 Study Guide& ANSWER KEYMATCH THE TERMS BELOW:1. Spectacle 2. Reification 3. Commodity Fetishism 4. Curatorial 5. Discursive – the aesthetics of supplementation 6. Detournement 7. Cognitive Mapping 8. De-Differentiation 9. Sublimation 10. Simulacrum A. One who manages or oversees, as the administrative director of a museum collection or a library. Tension between artists, can one who puts on an exhibit bean artist? B. Practices formed through a series of interpretive relations and meanings. Knowledge production through the use of language, and various discussions around contemporary art and its social function.C. Social relation of humans to images. Seen through erotic imagery, the desire to look closer, image shatters, availability in illusion, desire to begin again and the cheat of satisfaction. D. When socially unacceptable impulses or idealizations are consciously transformed into socially acceptable actions or behavior, possibly resulting in a long-term conversion of the initial impulse.E. A method in which one becomes so lost in a space they are forced to pause and reorient. Being lost causes them to remap and optimistically causes them to look at the world in a new way and be able to navigate society with greater insight and vision.F. A representation of a person or thing that is not a copy of the real but becomes truth in its own right. (The hyperreal) G. The human impersonation of inert and inanimate machines and images “Thing-a-faction” or giving life to something that is dead. H. The belief that there is no difference between production and consumption.I. The erroneous endowment of commodities with a magical power of their own. Example: getting turned on by a car.J. The ability to sift through artifacts and devalue the original and revalue it in a new context.MATCH THE TERMS BELOW:1. Artisanal 2. Kitsch 3. Everyday Life 4. Neo-Avant-Garde 5. An aesthetics of spectacular supplementation 6. La Derive A. The leisure moments of un-administered lifeB. The reduction of historical avant-garde, “empty gestures and repetition” C. " A mode of experimental behavior linked to the conditions of urban society: a technique of rapid passage through varied ambiances."D. Pertaining to nothing of high quality usually made by hand or with traditional methods.E. The studied use of bad taste and a defensive posture from difficult and ugly sides of reality. F. The space supplements the art. Artists want to create hype around the art, the work itself is useless but the art has value through a greater network of forces. The outside forces frame our relationship with art.WRITE A BRIEF COMMENTARY ON THE IMPORTANCE OF THE FOLLOWING:MUST KNOW DATES OF EACH WORK OF ART 1. Arkwright’s Cotton Mills by Night (Joseph Wright – 1972) & Cover Image for Crary’s 24/7: Late Capitalism and the Ends of Sleep 2. Peasant’s Shoes (Vincent Van Gogh – 1887) & Diamond Dust Shoes (Andy Warhol – 1980) 3. The Westin Bonaventure Hotel (John Portman) (1970) 4. Balloon Dog (Magenta) ((Jeff Koons – 1994)) 5. For the Love of God (Damien Hirst – 2007) 6. Pages from Memoires (Guy Debord) 1959) & Ach Alma Manétro (Villegle & Hains – 1949) 7. The Naked City (Guy Debord 1957) –Paris by Night (Asger Jorn – 1959) & The Avant-Garde Doesn’t Give Up (Asger Jorn 1962)8. This is Tomorrow (Whitechapel Art Gallery, Group 6 – 1956) & This is Tomorrow (Whitechapel Art Gallery, Group 2 – 1956) 9. Just What is it that makes Today’s Home so Different, so Appealing? (Richard Hamilton – 1956) 10. Le Vide {The Void} (Yves Klein – 1958) & Le Plein {The Full} (Arman – 1960)11. Wall of Barrels, Iron Curtain (Christo & Jean-Claude – 1961) 12. Premier Robot- Portrait d’Yeves Klein (Arman – 1960) 13. Albero di 8 metri (Eight Meter Tree) (Giuseppe Penone – 1969)14. Mapp (Alighiero Boetti – 1971)EXTRA CREDIT:Sigmar Polke, Bunnies (1966) ANSWER KEYMATCH THE TERMS BELOW:11. Spectacle C12. Reification G13. Commodity Fetishism I pg-78714. Curatorial A15. Discursive B16. Détournement J17. Cognitive Mapping E18. De-Differentiation H19. Sublimation D20. Simulacrum FK. One who manages or oversees, as the administrative director of a museum collection or a library.L. Practices formed through a series of interpretive relations and meanings. Knowledge production through the use of language, and various discussions around contemporary art and its social function.M. Social relation of humans to images. Seen through erotic imagery, the desire to look closer, image shatters, availability in illusion, desire to begin again and the cheat of satisfaction. N. When socially unacceptable impulses or idealizations are consciously transformed into socially acceptable actions or behavior, possibly resulting in a long-term conversion of the initial impulse.O. A method in which one becomes so lost in a space they are forced to pause and reorient. Being lost causes them to remap and optimistically causes them to look at the world in a new way and be able to navigate society with greater insight and vision.P. A representation of a person or thing that is not a copy of the real but becomes truth in its own right. (The hyperreal) Q. The human impersonation of inert and inanimate machines and images “Thing-a-faction” or giving life to something that is dead. R. The belief that there is no difference between production and consumption.S. The erroneous endowment of commodities with a magical power of their own. Example: getting turned on by a car.T. The ability to sift through artifacts and devalue the original and revalue it in a new context,MATCH THE TERMS BELOW:7. Artisanal D8. Kitsch E9. Everyday Life A10. Neo-Avant-Garde B11. An aesthetics of spectacular supplementation F12. La Derive CG. The leisure moments of un-administered lifeH. The reduction of historical avant-garde, “empty gestures and repetition” I. " A mode of experimental behavior linked to the conditions of urban society: a technique of rapid passage through varied ambiances."J. Pertaining to nothing of high quality usually made by hand or with traditional methods.K. The studied use of bad taste and a defensive posture from difficult and ugly sides of reality. L. The space supplements the art. Artists want to create hype around the art, the work itself is useless but the art has value through a greater network of forces. The outside forces frame our relationship with art.WRITE A BRIEF COMMENTARY ON THE