FILM 3660 1nd EditionFINAL STUDY GUIDEAFTER ART – David Joselit & ANSWER KEYDEFINE THE FOLLOWING TERMS:1. Commons:2. Repatriation:3. Folding:4. Ethno-commodity:5. Image:6. Continuous Ramp:7. Neoliberal Circulation:8. Image Fundamentalism:9. Differential fields:MATCH THE TERMS BELOW:1. Epistemology of search 2. Connection/Connectivity 3. Citizen/Citizenship 4. Common Wealth 5. Globalization 6. Experience Economy 7. Relational aesthetics 8. Scalability 9. Branding 10. Format 11. Cultural densification A. A worldwide division of labor. B. The retrieval, reframing, recapturing and documenting of art as opposed to art production.C. Multiple branching of connections that allows an image to pass locally, nationally and globally. D. Global capital profits from large amounts of centered network connections. E. The passage from private space into communal space in regards to appreciation of art.F. Contact + Current = Currency – The notion that art is network centered and not object centered. G. Creating a market image that goes beyond commodity and can extend worldwide. H. A collective patrimony – museums are resources for all human kind.I. More than commodities, experiences and transformative experiences like art or travel.J. Dynamic mechanisms for aggregating content- an established pattern of links or connections. K. The belief that artwork gives us the capability of living in a shared world. FILL IN THE BLANK:1. Bridging the gap between historical information and aesthetic construction ___________ an is a collection of documented artifacts.2. ___________removes the boundary between art and life in order to point out arts socialimpact. 3. In the second stage or,___________ original data is reprocessed or retransmitted.4. In a distinction between two different spaces, ________and ________ space, online space is contrasted by face-to-face interaction.5. The idea that we should not be passive consumers or art but engaged in its meaning is called:___________. 6. _________represents a practical commitment to a social transformation through visualization of a better place. 7. _______________incorporates viewers within an immersive environment. WORD BANK:ARCHIVE ARTE DE CONDUCTAPOST PRODUCTION UTOPIAINSTALLATION PARTICIPATIONACTUAL VIRTUALDEFINE THE FOLLOWING TERMS:1. Authorization:2. Transitive painting:3. Saturation:4. Population:5. Institutional Critque:6. Performance: 7. Public Sphere:8. Immersion:9. The multitude:10. Consensus:11. Painting’s expanded field:12. Network:COMPLETE THE CHART:Benjamin: Site-Specify Singular Work Witness to HistoryScarcity /AuraJoselit:MATCH THE KEY TERMS:1. Migrant Object 2. Native Object 3. Documentary Object 4. Reframing 5. Capturing 6. Reiterating 7. Documentary Framing A. Free and unfettered relation to site.B. The Atlas Group/ Walid Raad, “Notebook Volume 38: Already Been in a Lake of FireC. Does not belong to an individual or a state – constituting and creating public spheres and spontaneous networkingD. True story: media representation, Hollywood reenactment, and hybrid docudrama reconstruction.E. Isa Genzken’s “Spielautomat” F. Best vehicle for cultural identity G. Liam Gillick “McNamara”ANSWER KEYAFTER ART – David Joselit DEFINE THE FOLLOWING TERMS:1. Commons: a property, limited space, with its own rules of engagement. The artist provides you the rules of engagement “participation” in art.2. Repatriation: A debate over the proper place a piece of art is originated from.3. Folding: When you fold a piece of paper you have to individual halves, that are still one whole. (Without ripping the paper you combine one and two) buildings have separate floors. 4. Ethno-commodity: An artwork that respects both migrate and native images – preserving and promoting its native origin. (pg. 19)5. Image: “A quantum of visual content that can assume a variety of formats. (Preface)6. Continuous Ramp: A warped surface like a spiral staircase or ramp – blends the floorstogether as opposed to a staircase. (pg. 27-29)7. Neoliberal Circulation: Exchange of finances across the world - Art as money.8. Image Fundamentalism: Art becomes artifacts from culture not just money.9. Differential fields: Pg. 31 – No solid density, gradient it calm with calm like traits. Not one roof, but roof like features. No columns, but column like features. A network of varying intensities.MATCH THE KEY TERMS: 1. Epistemology of search B2. Connection/Connectivity F3. Citizen/Citizenship C4. Common Wealth H5. Globalization A6. Experience Economy I7. Relational aesthetics K8. Scalability E9. Branding G10. Format J 11. Cultural densification DFILL IN THE BLANK:1. Bridging the gap between historical information and aesthetic construction an ARCHIVE is a collection of documented artifacts.2. PARTICIPATION removes the boundary between art and life in order to point out arts social impact. 3. In the second stage or, POST PRODUCTION original data is reprocessed or retransmitted.4. In a distinction between two different spaces, ACTUAL and VIRTUAL space, online space is contrasted by face-to-face interaction.5. The idea that we should not be passive consumers or art but engaged in its meaning is called: ARTE DE CONDUCTA. 6. UTOPIA represents a practical commitment to a social transformation through visualization of a better place. 7. INSTALLATION incorporates viewers within an immersive environment. DEFINE THE FOLLOWING TERMS:1. Authorization: An artistic construction of documentary truth-value- in spite of its accuracy. 2. Transitive painting: Connects 2 types of passages- internal and external. 3. Saturation: Overwhelming visuality that threatens cultural divides. 4. Population: Utopian representation of hope for new spaces and new people beyond the reach of capitalism. 5. Institutional Critique: A form of commentary that critically but structurally critiques organization in a society and art. 6. Performance: Where the body is the subject and direct object of the work.7. Public Sphere: How art engages in a larger cultural context. 8. Immersion: A virtual reenactment of war.9. The multitude: The experience of being in common with one another during circulation that is important not just for money or economic factors but also experiences. 10. Consensus: How a government can rhetorically, argumentatively and visually compels its own people to believe in the justice of going to war.11. Painting’s expanded field: The management of national citizenship. 12. Network: