FILM 3660 1nd Edition EXAM STUDY GUIDE AND ANSWER KEY MATCH THE KEY TERMS 1 2 3 4 5 6 Real Space pg 536 537 Virtual Space pg 536 537 Meaning as Use Meaning as Context pg 537 Phenomenology pg 538 Death of author pg 537 Theatricality pg 539 A Looking through a picture to gather meaning and depth typically the picture hangs flat against the wall B When art engages with the space around itself and disrupts the relationship between art and the environment C The way in which our lived experience is authoritative to meaning and functions through the body s immersion in the world D A L shaped beam in the center of a room that has depth within itself and creates a consciousness of space with the viewer as they walk around it E The meaning of the words we speak are not secured by the intentions we have prior to saying them and the meaning of words are not a function of absolute definition instead they are defined within the context of their application F The process of taking meaning and depth away from the artist or creator and giving it to the audience or viewer Minimalist distribution of meaning FILL IN THE BLANKS WORD BANK Distribution form Photoconceptualism Deskilling The Performative Model An Aesthetic of the Supplement Expanded Field Site Specificity Conceptualism 1 has occurred because of the readymade and industrialized art mediums We have changed the way we judge art because anyone can make it 2 Photography and Videos became the focus of art due to and importance of art as a concept and not aesthetic 3 Minimalist artist Ed Ruscha created a photo book documenting 26 gas stations across the United States through the creation of copies there was no longer one original form of the photo book The emphasis of his work was on 4 is a minimalist form of art that degrades visual expression Your eyes do not do the work it is your responsibility as the viewer to gather meaning 5 is responsible for highlighting external forces that govern the production and reception of art 6 Sol LeWitt s Red Square White Letters is an example of a Replacing the visual structure of a work by the color and shape names of its visual units 7 When a minimalist artist takes a public or private place and makes it a function of light and space for the viewer s field of vision requires the artist to minimally intervene in the location of their art 8 By lifting the field of such a representation off the ground of real space an such as a pedestal has established virtual symbolic nature of representation while being physically linked to the actual site MATCH THE KEY TERMS Part 2 1 2 3 4 5 6 7 8 9 Institutional Critique pg 591 The Picture pg 624 Appropriation pg 625 Sign Exchange Value pg 625 The Performative pg 627 The Serial pg 630 The Simulacral pg 630 Sociological Mapping pg 668 The artist as curator pg 670 A An aesthetic origin that has no specific medium and delivers its message equally through magazines billboards books and all other forms of mass culture B A narrative role or position played by a person usually women what it lacks in truth value it makes up in its assumption of power and agency C Attempting to shift the context of aesthetics towards socioeconomic ideologies in a mechanical way D A fashion logo being worth much more than the handbag it is attached to E An image that represents but not guarantees a portion of reality ex A photograph isn t real but it effects the real F When an artist uses museums to study how specific art pieces and artifacts are translated into historical evidence or cultural exemplars ex Fred Wilson Andrea Fraser Renee Green G The polite term for stealing or transferring a picture using photography H The shift of literal and physical understanding to abstract and subjective understanding ex Researching and explaining the correlation between Minimalist structures in tract housing developments I A postmodern term for a photograph with multiple copies but no original print MATCH THE ARTWORK WITH IT S TITLE ARTIST and DATE A B C D E H F G I J K N L O M P Q R S T 1 Warhol 32 Campbell s Soup Cans 1962 Synthetic polymer paint on thirtytwo canvases 2 Marcel Duchamp Etant Donn s 1946 66 Mixed media assemblage 3 Robert Morris Card File 1962 Metal and plastic wall file mounted on wood containing 44 index cards 27 x 10 x 2 4 Michael Asher Pomona College Project 1970 5 Hans Haacke Shapolski et al Manhattan Real Estate Holdings a Real Time Social System as of May 1 1971 6 Lawrence Weiner Statements 1968 Book 7 Fred Wilson Mining the Museum 1992 Detail 8 Tom Burr Movie Theatre Seat in a Box 1997 Wood silver perspex mirror carpet seat chewing gum 42 x 36 x 36 9 Daniel Buren Photo souvenir Peinture Sculpture work in situ at the Sixth Guggenheim International Exhibition Guggenheim Museum New York 1971 10 Ren e Green Seen 1990 Wood structure height 81 x 81 x 53 lens hologram screen light and audio system 11 Dan Graham Homes for America Split Level and Ground Level Two Home Homes 1966 Two photographs 10 x 17 Donald Judd Untitled 1963 Light cadmium red oil on wood 12 Robert Morris from left to right Untitled Table Untitled Corner Beam Untitled Floor Beam and Untitled Cloud Installation at the Green Gallery December 1964 January 1965 13 Robert Morris Statement of Aesthetic Withdrawal 1963 Types and notarized statement on paper sheet of lead over wood mounted in imitation leather mat 18 x 24 14 Cindy Sherman Untitled Film Still 39 1979 Black and white photograph 10 x8 15 Robert Morris Untitled Three L Beams 1965 6 Installation at Leo Castelli Gallery 16 Cindy Sherman Untitled Film Still 7 1978 Black and white photograph 17 Robert Morris Card File 1962 Metal and plastic wall file mounted on wood containing 44 index cards 27 x 10 x 2 18 Carl Andre Equivalent VIII 1966 Fire bricks 19 Ed Ruscha from Twenty Six Gasoline Stations 1962 Artist s photobook 20 Sherrie Levine Untitled After Edward Weston I 1980 Photograph 10 x 8 DESCRIBE THE AESTHIC SIGNIFICANCE OF EACH WORK BELOW 1 Warhol 32 Campbell s Soup Cans 1962 Synthetic polymer paint on thirty two canvases 2 Marcel Duchamp Etant Donn s 1946 66 Mixed media assemblage 3 Robert Morris Card File 1962 Metal and plastic wall file mounted on wood containing 44 index cards 27 x 10 x 2 4 Michael Asher Pomona College Project 1970 5 Hans Haacke Shapolski et al Manhattan Real Estate Holdings a Real Time Social System as of May 1 1971 6 Lawrence Weiner Statements 1968 Book 7 Fred Wilson Mining the Museum 1992 Detail 8 Tom Burr Movie Theatre Seat in a Box 1997 Wood