ART-HIST 110 1st Edition Lecture 7Works discussed:EIGHTEENTH- AND EARLY NINETEENTH-CENTURY ART IN EUROPE1. Figure 29-58 CASPAR DAVID FRIEDRICH, Monk by the Sea, 1809-102. Figure 29-55 JOSEPH MALLORD WILLIAM TURNER, Slavers Throwing Overboard theDead and Dying, Typhoon Coming On (The Slave Ship), 1840MID- TO LATE NINETEENTH-CENTURY ART IN EUROPE1. Figure 30-15 JEAN-BAPTISTE-CAMILLE COROT, First Leaves, Near Mantes, c. 18552. Figure 30-6 LOUIS-JACQUES-MANDÉ DAGUERRE, The Artist’s Studio, 18373. Figure 30-11 JULIA MARGARET CAMERON, Portrait of Thomas Carlyle, 18674. Figure 29-53 HONORÉ DAUMIER, Rue Transnonain, 15 April 1834 (1834)5. Figure 30-14 JEAN-FRANÇOIS MILLET, The Gleaners, 18576. Figure 30-16 ROSA BONHEUR, The Horse Fair, 1853–18557. Figure 30-17 ÉDOUARD MANET, Le Déjeuner sur l’Herbe (Luncheon on the Grass), 1863Terms and events:• Camera obscura (“dark room”): A box with small hole on one side through which light (andimage) passes. The image is reflected by a mirror onto a drawing surface. Camera obscuras havebeen used since ancient times.• Daguerreotype: An early type of photograph in which the image could be fixed on achemically-treated metal plate coated with light-sensitive material.• Revolution of 1848 & the establishment of the Second Republic in France (1848-1851): Apopular uprising organized by a coalition of workers, socialists and anarchists as a response togrowing social unrest, state violence, poverty and unemployment.These notes represent a detailed interpretation of the professor’s lecture. GradeBuddy is best used as a supplement to your own notes, not as a substitute.• 1851-1870, The Second Empire in France ruled by Napoleon III• Realism: An intellectual movement that emerged in French literature and art in the aftermath ofthe 1848 Revolution in order to describe the brutal truths of the lives of the lower classes.• Salon des Refusés (1863) (“Salon of the Rejected Ones”): In 1863, the jury of the annual Salonexhibition in Paris turned down nearly 3000 works, which led to a storm of protests. NapoleonIII, the Emperor of the Second Empire, allowed the refused works to be shown to the public at aseparate