ART-HIST 110 1st Edition Lecture 2High Renaissance in Italy (continued):20-16 Donato Bramante, Il Tempietto, Church of San Pietro in Montorio, Rome, 1502-10 20-24 Titian, “Venus” of Urbino, c. 1538The Renaissance in Northern Europe:Renaissance artists in Northern Europe developed newly intense interests in the natural world, resulting frequently in highly detailed recording of nature and people. Many Northern Renaissance artists were aware of High Renaissance art being created in Italy and responded to it in their art. Much (but not all) Renaissance art in Northern Europe responded to the great spiritual crisis of the age: the Protestant Reformation. Works discussed:21-4 Matthias Grünewald, The Isenheim Altarpiece, closed with Crucifixion panel, c. 1510-15, oil on wood panel 21-5 Matthias Grünewald, The Isenheim Altarpiece, open with Resurrection panel, c. 1510-15, oil on wood panel 21-1 Albrecht Dürer, Self-Portrait, 1500, oil on wood panel 21-7 Albrecht Dürer Adam and Eve, 1504, engraving 21-8 Albrecht Dürer, Four Apostles, 1526, oil on wood panel Terms and names:platformDoric columnfrieze, triglyph, metopeVitruviusaltarpieceengravingProtestant ReformationMartin LutherIconoclasmThese notes represent a detailed interpretation of the professor’s lecture. GradeBuddy is best used as a supplement to your own notes, not as a
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