ART HIST 110 1st Edition Lecture 4Art History 110 – Spring 2014Continuing the Baroque in Italy:Works discussed:22-5, 22-1 Gianlorenzo Bernini, St. Teresa of Ávila in Ecstasy, Cornaro Chapel, Rome, 1645-52 (marble)22-11 Caravaggio, Bacchus, 1595-96 (oil on canvas)22-12 Caravaggio, Conversion of St. Paul, Cerasi Chapel, Church of Santa Maria del Popolo, Rome, c. 1601 (oil on canvas)22-14 Artemisia Gentileschi, Self-Portrait as the Allegory of Painting, 1630 (oil on canvas)22-13 Artemisia Gentileschi, Susannah and the Elders, 1610 (oil on canvas)Terms and events:tenebrismCouncil of Trent, 1545-63Counter-ReformationBaroque SpainThe Baroque style in art took on different characteristics depending on differing patronage patterns and the locally distinct cultural and religious environments of different regions in Europe. Caravaggism flourished in Spain under the patronage of the Catholic Church, and one of the greatest figures of the 17th century, Diego Velázquez (1599-1660), rose to artistic prominence as a consequence. The painter was a major innovator in the history of European art, reaching fame and fortune in his own lifetime, and leaving an important artistic legacy that lived on for centuries.Works discussed:These notes represent a detailed interpretation of the professor’s lecture. GradeBuddy is best used as a supplement to your own notes, not as a substitute.22-21 Diego Velázquez, Water Carrier of Seville, c. 1619 (oil on canvas)22-23 Diego Velázquez, Las Meninas (The Maids of Honor), 1656 (oil on canvas)22-20 Francisco de Zurbarán, St. Serapion, 1628 (oil on canvas)22-18 Juan Sánchez Cotán, Still Life with Quince, Cabbage, Melon, and Cucumber, c. 1602 (oil on canvas)Terms to know:Caravaggismgenrestill life
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