Prof. Greg Francis1PSY 310: Sensory and Perceptual ProcessesPurdue UniversitySoundPSY 310Greg FrancisLecture 28Why doesn’t a clarinet sound like a flute?Purdue UniversityOther senses Most of this course has been about visual perception Most advanced science of perception Perhaps the most important human sense Relatively easy to show many effects Many topics apply to other senses For the rest of the course we discuss other senses, inless detail Sound (up to third exam) Touch Smell TastePurdue UniversityThe perceptual processAttended stimulusEnvironmental stimulusActionRecognitionPerceptionProcessingTransductionStimulus onreceptorsPurdue UniversityAuditory perception As for visual perception, auditory perception (hearing)provides information about the world around us Sounds can be heard even when objects are out of sight Behind other objects Night time We are quite good at recognizing sounds demonstrationPurdue UniversitySound stimulus The stimulus of sound is pressure changes Usually in the air, but can also be produced in water or othermediums Vibration makes sound e.g., hitting a tuning forkPurdue UniversitySound stimulus Air around the fork is pushed back and forth This makes small changes in the pressure of particles in theair Pressure is the density of particles in the air When particles are pushed, they move, and push theirneighbors. The energy travels along.Prof. Greg Francis2PSY 310: Sensory and Perceptual ProcessesPurdue UniversitySound stimulus Air around the fork is pushed back and forth This makes small changes in the pressure of particles in theair Pressure is the density of particles in the air When particles are pushed, they move, and push theirneighbors. The energy travels along.Purdue UniversitySound stimulus There are both compressions and rarefactions to produce asound wave Pushed away from source in compressions “Sucked” back in during rarefactions It doesn’t really matter what the source of the pressurechanges is, a string is a good as a forkPurdue UniversitySound stimulus If you could see the particles in the air with a soundwave, they would look like thisPurdue UniversitySound stimulus So sound is a pressure wave We can describe a simple sound with a sine wavePurdue UniversitySound stimulus Different properties of the wave generallycorrespond to different perceptual aspects of soundPurdue UniversitySound stimulus The frequency of the wave corresponds (roughly) to pitch Here is the wave for middle C Play the sound A Hertz is the number of cycles of the wave in a second of timeProf. Greg Francis3PSY 310: Sensory and Perceptual ProcessesPurdue UniversitySound stimulus Increasing the frequency of the wave changes the pitch Here is the wave for middle A Play the soundPurdue UniversitySound stimulus Increasing the frequency of the wave changes the pitch Here is the wave for high A Play the soundPurdue UniversitySound stimulus What we perceive as loudness corresponds (roughly) to theamplitude of the wave How much pressure is changed This is a matter of how much energy is involved in pushing the air A sound spreads out across an area, and the energy is constant So sound waves have a smaller amplitude with increasing distance Inverse squarePurdue UniversityMeasuring amplitude The easiest way to physically measure amplitude would seemto be just measure the changes in pressure Micropascals (one-millionth of a pascal) Pascals are used to measure pressure for atmospheric changes But this proves to not be useful because variations inamplitude are perceived variations in loudness People have varying sensitivity to sound wave amplitude We discriminate small differences when the amplitude is small Whisper versus talk quietly We cannot discriminate big differences whenthe amplitude is big Jet engine versus jet engine and someone shoutingPurdue UniversityDecibels A measure that is relatively similarto human perception of loudnessis the decibel scale Take the ratio of a sound’s amplituderelative to some fixed soundamplitude Take the logarithm Multiple by 20 (or whatever, it justscales the number)€ dB = 20logpp0 Purdue UniversityDecibels Note, you can get negativedecibels When your sound amplitude is smallerthan the reference Psychologists use a reference of 20micropascals, which is just about thefaintest sound you can hear When the decibel value equals zero,the sound amplitude is the same asthe reference€ dB = 20logpp0 Prof. Greg Francis4PSY 310: Sensory and Perceptual ProcessesPurdue UniversityDecibels Many people (including our textbook) suggest that the decibelscale is better than just amplitude because it allows us to workwith a smaller range of numbers It is true that sounds in the environment cover a very large rangeof values Faintest sound is 20 micropascals Whisper is 630 micropascals Loud radio 6,300,000 micropascals Jet engine 6.3 billion micropascals But changing the numbers is not the reason for using the decibelscale Who can’t work with big numbers but can work with logarithms of ratios? The real motivation for the decibel scale is that the numbers itassigns to different pressure amplitudes follow a pattern fairlysimilar to our perceptions of loudnessPurdue UniversityDecibels Consider different sounds and how loud they are Loudness demoPurdue UniversityDifferent wave forms We hear lots of sounds that are not sine waves Demos of flute, clarinet If sound is a vibration that produces a sine wave, then whatproduces non-sine wave sounds? Fourier analysis / synthesis All wave patterns can be broken down into sine waves A lot of different sine waves combined together produce a wave that isnot a sine wavePurdue UniversityFourier analysis A function can be described either in space (x) Or in terms of the Fourier coefficients (a0, a1,…,b1, b2,…) Each of the coefficients refer to a sine wave of a given Hertz€ f (x) =xπ€ an=−4nπ( )2€ a0=12€ bn= 0€ x€ nPurdue UniversityComplex sounds Different sounds can be described by the Fourier coefficientsthat correspond to the shape of the wave400 Hz sine wave400 Hz square wavePurdue UniversityComplex sounds Different sounds can be described by the Fourier coefficientsthat correspond to
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