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VCU ARTH 104 - ISMS OF MODERNISM

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PowerPoint PresentationSlide 2Slide 3Slide 4Slide 5Slide 6Slide 7Slide 8Slide 9Slide 10Slide 11Slide 12Slide 13Slide 14Slide 15Slide 16Slide 17Slide 18Slide 19Slide 20Slide 21Slide 22Slide 23Slide 24Slide 25Slide 26Slide 27Slide 28Slide 29Slide 30Slide 31Slide 32Slide 33Slide 34Slide 35Slide 36Slide 37Slide 38Slide 39Isms of Modernism:Expressionism, Fauvism,Cubism, Futurism, Suprematism,Dada, and SurrealismFrom Harper’s Weekly, June 20, 1885 Portrait of Louis Pasteur, ca. 1875Photograph of US tanks in France, ca. 1917-19Cezanne, Mont Sainte-Victoire, c. 1902, o/canvasDetail of passageVan Gogh, Starry Night, c. 1889, o/canvasExpressionism*Ernst Ludwig Kirchner, Street, Berlin,c. 1913, oil on canvasNietzsche, Thus Spake Zarathustra(1883)Die BrückeKarl Schmidt-Rottluff, Nach dem Bade (After theBath, c. 1910 o/canvasSchmidt-Rottluff, Three Nudes—DunePicture from Nidden, c. 1913, o/canvasKathe Kollwitz, Mother and a Dead Child, 1903, charcoal and ink on paper*Paula Modersohn-Becker, Self-Portrait with AmberNecklace, 1906, oil on canvasAncient Near Eastern sculpture ofGudea from the LouvreFauvismSalon d’Automne (1905)Louis VauxcellesAndre Derain, Mountains at Collioure, c. 1905, o/canvasMaurice de Vlaminck, The Potato Pickers, c. 1905, o/canvasMatisse, The Woman with the Hat, c. 1905, o/canvasMatisse, The Green Stripe, c. 1905, o/canvas*Matisse, Le Bonheur de Vivre (The Joy of Life), c. 1906, o/canvasCubismImage of Picasso’s studio with African sculpturesGabon mask, ca. early 20th century, painted wood*Picasso, Les Demoiselles d’Avignon, c. 1907, o/canvasGeorges Braque, Houses at l’Estaque, c. 1908, o/canvasCezanneBraque, Violin and Palette, 1909-10, Oil on canvas*Picasso, Ma Jolie, c. 1911-12, o/canvasFuturismPhotograph of Fillipo Marinetti with his car, ca. 1912Futurist Manifestos February 20, 1909 and 1910 (Milan)Gino Severini, Dynamic Hieroglyphic of the Bal Tabarin, 1912, oil on canvasUmberto Boccioni, Charge of the Lancers, 1915, tempera and collage on board (simultaneity)*Boccioni, Unique Forms of Continuity in Space, c. 1913, bronzeSuprematismWorld of Art Magazine, b. 1898Kazimir Malevich, Black and Red Square, c. 1915, o/canvasMalevich, Suprematist Composition: Self-PortraitIn 2-D, c. 1915, o/canvas*Malevich, Suprematist Painting (Eight Red Rectangles), c. 1915, o/cThe World of Non-ObjectivitynonrepresentationalDadaHugo Ball at the Cabaret Voltaire, Zurich, Switzerland, c. 1916DadaMarcel Duchamp, Bicycle Wheel, wheel and woodenStool, original ca. 1913ReadymadesDuchamp, Bottle Drying Rack, ca. 1969US Armory Show, 1913*Duchamp, Fountain, c. 1917, plumbing fixtureSalon des Independents Duchamp, LHOOQ, c. 1919, modifiedlithographJohn Heartfield, Have no Fear, He’s a Vege-tarian, photomontage, 1936SurrealismLitteratureAndre Breton, Manifesto of Surrealism (1924)Sigmund Freud, Interpretation of Dreams (1900)Automatism*Salvadore Dali, The Persistence of Memory, c. 1931, o/canvasparanoiac-critical methodRene Magritte, The Treachery of Images, 1928-9, o/canvasRene Magritte, The Condition of Life, 1933, o/canvasMagritte, Son of Man, 1964, o/canvas*Maret Oppenheim, Object, 1936, fur-covered tea cupJoan Miro, Composition, 1933, oil on


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