Slide 1Slide 2Slide 3Slide 4Slide 5Slide 6Slide 7Slide 8Slide 9Slide 10Slide 11Slide 12Slide 13Slide 14Slide 15Slide 16Slide 17Slide 18Slide 19Slide 20Slide 21Slide 22Slide 23Slide 24Slide 25Slide 26Slide 27Slide 28Slide 29Slide 30Slide 31Slide 32Slide 33Slide 34Slide 35Slide 36Slide 37Slide 38Slide 39Slide 40Slide 41Slide 42Slide 43Slide 44Slide 45Slide 46Slide 47The Early RenaissanceIn Italy and the NorthView of Florence, ItalyGod Measuring the World, from a Moralized Bible, ca. 12th century, pigment on parchmentSandro Botticelli, Portrait of Giuliano de Medici, 1474, tempera on panelMassaccio, detail of Adam and Eve from the Brancacci Chapel, 1427/Early Italian Renaissance, frescoDetail of an ancient Roman wall painting,Before 79 CEGiotto’s Lamentation using buon fresco[fresco secco, cartoon, giornate]One-Point PerspectivePicture planeTwo-Point PerspectiveLeon Battista Alberti, On Painting (1435)Massaccio, Masolino, and Lippi, the Brancacci Chapel, Florence, frecso(Tribute Money located top center)*Masaccio, Tribute Money, Brancacci Chapel, Florence, c. 1427, Fresco.Tax collectors demand “tribute money” from PeterPeter finds money in themouth of a fishTax collector is paid*Antonia del Pollaiuolo, Battle of the Nudes, c. 1465-70, engraving*Botticelli, Birth of Venus, c. 1484-86, Tempera on canvasVariations on the venus pudica (“modest Venus”) poseBotticelli’s Venus Venus in the Medici collection*Botticelli, Birth of Venus, c. 1484-86, Tempera on canvasZephyr and ChlorisCytheraBotticelli, Primavera (Spring), c. 1482, tempera on panelMantegna, Frescoes in the Camera Picta, Ducal Palace, Mantua, c. 1465-74*Mantegna, Camera picta, ducal palace, Mantua, fresco1465-74foreshorteningTrompe l’oeil(fool the eye)Di sotto in sù(seen directly from below)Putti/puttoLoggia*Filippo Brunelleschi, Dome of the Florence Cathedral, c. 1417-36, lanternCompleted 1471, Florence, ItalyOctagonal dome withLantern and oculusCentering system from the Florence CathedralDomeInternal Buttressing system from DomeSelf-supporting dome of the Pantheon, Ancient RomeWest façade of Chartres Cathedral and view of external (“flying”) butressesBotticelli, Portrait of Giuliano de Medici,1476-77, tempera on panelBotticelli, Portrait of a Man with the Medal ofCosimo the Elder, 1474, tempera on panel*Bartolomeo, Palazzo Medici-Ricardi, Florence, b. 1446RusticationStringcoursePedimentcorniceElevation Drawing of the Palazzo Medici-Ricardi*Courtyard of the Palazzo Medici-Riccardi, FlorenceFra Filippo Lippi, The Annunciation, tempera on panel, 1445-50*Ghiberti, Gates of Paradise, East Doors, Baptistry of San Giovanni, Florence, c. 1425-52Ghiberti, Self-Portrait, from the Gates of Paradise,FlorenceJacob and EsauRebecca*Ghiberti, The Story of Isaac, Gilded Bronze*Donatello, David, c. 1446-60, Bronze [contrappasto]Polykleitos, Spear Bearer (Doryphoros),c. 450-40 BCE, marble*Donatello, David, c. 1446-60, BronzeEarly RenaissanceIn the NorthThe NetherlandsFlandersRobert Campin, detail from the MerodeAltarpiece, 1425-8, oil on woodOil Painting:Pigment (color)Linseed or walnut oil (Binder)Mineral Spirits or Turpentine (Vehicle)[see page 308 for more information]*Van der Goes, Pontinari Altarpiece, 1474-76, oil on panelTriptych Nativity/Adoration(right wing) Left to right: Maria Pontinari, St. Margaret, and St. Mary Magdalene“Vase” with assorted flowers, including iris(left wing) Left: Tomaso PontinariRight: St. Anthony*Campin, Merode Altarpiece, c. 1425-8, oil on wood*Van Eyck, Portrait of Giovanni Arnolfini and His Wife, c. 1434, oil on