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VCU ARTH 104 - NEOCLASSICISM1

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Slide 1Slide 2Slide 3Slide 4Slide 5Slide 6Slide 7Slide 8Slide 9Slide 10Slide 11Slide 12Slide 13Slide 14Slide 15Slide 16Slide 17Slide 18Slide 19Slide 20Slide 21Slide 22NeoclassicismLouis Michel van Loo, DenisDiderot, 1767, oil on canvas“I’ll admit that I should gladlysacrifice the pleasure of seeing attractive nudities if I could hastenthe moment when painting and sculpture…will compete in promotingvirtue and purity of morals. I thinkI have seen enough teats and bottoms.”(1763)Archaeological discoveries: Herculaneum, Pompeii, and the “Elgin Marbles”James Stephanoff, The Virtuoso, 1833, watercolorMengs, Johann Winckelmann,c. 1755, oil on canvasA History of Ancient Art (1764)Italy*Canova, Cupid and Psyche, c. 1787-93, marbleAestheticsLaocöon, c. 1st century CE, marble, Roman copy of GreekoriginalMengs, Parnassus, 1760-1, fresco, Villa Albani, RomeApollo Belvedere, Roman copy of a 4th century Greek Original, marbleFrance and BritainDavid, Self-Portrait, 1794, oil on canvasPrix de Rome*David, Oath of the Horatii, c. 1784, o/canvasCorneille“July 13 1793: Marie-Anne-Charlotte Corday to citizen Marat- It is enough for me to be truly wretched to have a right to your kindness”David, The Death of Marat, 1793, oil*Kauffmann, Cornelia Pointing to Her Children as Her Treasures, c. 1785o/canvas (sons: Tiberus and Gaius Gracchus) exemplum virtutisRobert Adam, Etruscan Dressing Room,Osterley House, ca. 1775-6, Middlesex,EnglandUnknown maker, X-Shaped Stool from the DressingRoom of Empress Josephine, ca. 1800, painted woodAnd silk brocade, FranceAmericaJefferson (and others), Virginia State Capitol, 1785-82, Richmond VAThe Parthenon, c. 5th century BCE, Athens, Greece*Jefferson, Monticello, c. 1770-84, Charlottesville, VAPalladio, Villa Rotunda, b. 1560s, Vicenza,ItalyPantheon, ca. 2nd century CE, Rome, Italy*Jefferson, Monticello, c. 1770-84, Charlottesville,


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VCU ARTH 104 - NEOCLASSICISM1

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