Slide 1Slide 2Slide 3Slide 4Slide 5Slide 6Slide 7Slide 8Slide 9Slide 10Slide 11Slide 12Slide 13Slide 14Slide 15Slide 16Slide 17Slide 18Slide 19Slide 20Slide 21Slide 22Slide 23Slide 24Slide 25Slide 26Slide 27Slide 28Slide 29Slide 30Slide 31Slide 32Slide 33Slide 34Slide 35Slide 36Slide 37Slide 38Slide 39Slide 40Slide 41Slide 42Slide 43Slide 44Slide 45Slide 46Slide 47Slide 48Slide 49Slide 50Slide 51Slide 52Slide 53Slide 54Slide 55Slide 56Slide 57Slide 58Slide 59High Renaissanceand ReformationTitian, Portrait of Pope Julius II, 1546, oil on canvasGreat SchismLeonardo, Self-Portrait, c. 1512, chalk and pencil on paperLeonardo, Vitruvian Man, c. 1490, Ink onPaper/ Vitruvius, Canon of ProportionRefectory of the Monastery of Santa Maria delle Grazie, Milan, Italy*Leonardo, The Last Supper, c. 1495, tempera and oil on plaster (fresco secco)Horizon line within the imageOrthoganals and Vanishing PointTriangular formation created by Christ*Da Vinci, Mona Lisa, c. 1503-6, Oil on panelSfumatoChiaroscuroLisa del GiocondoRaphael, The Small Cowper Madonna, c. 1505, oil on paanelRaphael, Madonna del Cardellino,c. 1507, oil on panelStanze della Segnatura, Vatican, Rome*Raphael, School of Athens, c. 1510-11, fresco, Vatican, RomeRaphael’s self-PortraitLeonardo as Plato (Left)Michelangelo*Michelangelo, Sistine Chapel Ceiling, Vatican, Rome, 1508-12, frescoView of Entire CeilingDecorative Program:1)Border of Old Testament prophets and sibyls2)Trompe l’oeil decoration and classical ignudi3)Narrative scenes in the center beginning with the creation of the universe (right)The Creation of AdamSibylIgnudiMichelangelo, Pieta, c. 1500, marblePolykleitos, Doryphoros, c. 450-440 BCE, marble*Michelangelo, David, c. 1501-4,marbleReformation In the North:High NorthernRenaissanceLucas Cranach the Elder, Portrait of Martin LutherCranach, Martin Luther as JumkerJorg, c. 1521, o/panel*Matthias Grunewald, Isenheim Altarpiece (closed), c. 1510-1515, oil on panelDetails of Christ’s Crucifixion(Open position)(third position, sculpture of Christ in Majesty by Hagenauer)Albrecht Durer, Self-Portrait, c. 1500,o/woodDurer, Self-Portrait at 26, oil on panelDurer, Portrait of a Young Venetian Woman,Oil on panelDurer, Haller Madonna, c. 1498, oil on panel*Durer, Adam and Eve, c. 1504,wood engravingintaglioFour Humors:Black bile (elk) – melancholyYellow bile (cat) – anger/pridePhlegm (ox) – lethargyBlood (rabbit) – sensuality*Hieronymus Bosch, The Garden of Earthly Delights, c. 1505-15, oil on canvasConversation piece(closed)Pieter Bruegel the Elder, Hunters in the Snow, c. 1565, oil on panelJean Clouet, Frances I, c. 1525,o/tempera/panelPierre Lescot, west wing of the Cour Carre, Palais du Louvre, Paris, b. 1546Hans Holbein the Younger, Henry VIII,c. 1540, o/panel*Jean Clouet, Francios I, King of France,1525-30, oil on woodLate 16th Century Styles:The Venetians and Mannerism*Veronese, Feast in the House of Levi, Monastery of Santi Giovanni e Paolo, Venice, 1573,Oil on canvasDetail of Christ withinVeronese’s Feast in the HouseOf LeviDetails from Veronese’s Feast in the House of LeviGiorgione and Titian, Pastoral Concert, 1509, oil on canvas*Titian, Venus of Urbino, c. 1538, oil on canvasDetail of chests (cassone) from Titian’s Venus of UrbinoWalnut Cassa, 16th century, VeniceRed rosesMyrtle treeDog (fidelity)*Pontormo, Deposition, 1525-7, oil on panelManiera (style)Details from Pontormo’s Deposition*Palladio, Villa Rotunda, Vincenza, Italy, b. 1550porticoPantheon, Rome, Italy, ca. 196