PowerPoint PresentationSlide 2Slide 3Slide 4Slide 5Slide 6Slide 7Slide 8Slide 9Slide 10Slide 11Slide 12Slide 13Slide 14Slide 15Slide 16Slide 17Slide 18Slide 19Slide 20Slide 21Slide 22Slide 23Slide 24Slide 25Slide 26Slide 27Slide 28Slide 29Slide 30Slide 31Art and the Avant-Garde:Manet, Impressionism,And Post-ImpressionismEduoard Manet, Self-Portait, 1878-9,Oil on canvasSalon des Refusées (1863)“Old Masters”Alexandre Cabanel, The Birth of Venus, c. 1863, oil on canvas“Salon of the Venuses”*Manet, Le Dejeuner sur l’Herbe, c. 1863, oil on canvasBourgeois (middle class)Marcantanio Raimondi, after Raphael’s TheJudgment of Paris, c. 1520, engravingTitan and Giorgione, The Pastoral Concert, c. 1508, oil on canvas*Manet, Olympia, c. 1863 , oil on canvasDumas fis, La dame aux camélias (1852)Titian, Venus of Urbino, c. 1538, oil on canvasallusionCaricature of Olympia, ca. 1865, “Manette or the Wife of the Cabinet Maker, by Manet”ImpressionismA “French” EaselPlein air painting*Monet, Impression: Sunrise, c. 1872, oil on canvasLouis Leroy, “…an attack on proper artistic custom, on the cult of form, and the respectfor the masters.”Auguste Renoir, Ball at the Moulin de la Galette, c. 1876, oil on canvas*Edgar Degas, The Rehearsal of the Ballet on Stage, c. 1874 pastel and ink on paperPicture plane*Mary Cassatt, Mother and Child,c. 1890, oil on canvasMary Cassatt, Maternal Caress, c. 1891,Drypoint etching and aquatint paperKunisada, Kabuki Depicting a Geisha, c. 1851,WoodcutJaponisme and ukiyo-ePost-ImpressionismRoger Fry painting in Studland, c. 1911*Paul Cezanne, Mont Sainte-Victoire, c. 1885-7, o/canvas passage technique atmospheric perspectiveCezanne, Mont Sainte-Victoire, c. 1887, o/canvasCezanne, Mont Sainte-Victoire, c. 1900, o/canvasCezanne, Mont Sainte-Victoire, c. 1902, o/canvasDetail of passageCezanne, Mont Sainte-Victoire, c. 1904, o/canvasVincent Van Gogh, The Potato Eaters, c. 1885, o/canvasVan Gogh, Self-Portrait for Paul Gauguin, c. 1888, o/canvasVan Gogh, Self-Portrait with Bandaged Ear,c. 1888, o/canvasVan Gogh, Sunflowers, 1888, oil on canvasDetail of impasto*Van Gogh, Starry Night, c. 1889, o/canvas*Paul Gauguin, Mahana no atua (Day of the God), 1894, oil on canvasSynthetismPage from Gauguin’s sketchbook, ca. 1900*Georges Seurat, A Sunday Afternoon on the Island of La Grande Jatte, c. 1884-6, o/canvasPointillism or Divisionism derived from Chevreul’s “law of simultaneous contrasts of color”Complementary colors: blue/orange; yellow/violet, red/greenSeurat, detail from Grande Jatte Seurat, La Tour Eiffel, 1889, oil on