Film 2120 1st Edition Lecture 20 Outline of Last Lecture I. Mis-en-scene of art film: The actorII. Beginnings of “realism” in film acting III. Realism in developmentIV. Ingmar BergmanV. Film commonalities: Techniques VI. Movies by BergmanOutline of Current Lecture I. Mode of productionII. Authorship criticismIII. What are the advantages of authorship criticism? IV. Types of authorship criticism Current LectureI. Mode of productionA. Studio system 1. Head producer, unit producer, various directors (hierarchy of studio system)- During classic days, broken up nowB. Legal precedent1. Author of a text owns the text, but studios own the film (not the directors) and have final cut rights C. Production hierarchy 1. Director doesn’t have as much artistic freedom when they have bosses II. Authorship criticismA. Historical situation1. Not all countries had the same view on the studio system 2. Example: Cahiers du cinema: French critiques, authors should be apart of filmmaking, director should be the author 3. French queur theory (politique des quteurs)- More of an approach: how do films represent original visions of the person making them 4. British authorship criticismIII. What are the advantages of authorship criticism?A. Re-evaluation of forgotten filmsThese notes represent a detailed interpretation of the professor’s lecture. GradeBuddy is best used as a supplement to your own notes, not as a substitute.B. New emphasis on visual style C. Impact on filmmaking IV. Types of authorship criticism A. Biographical: characters created through directors personal life (always has blondes-has mommy issue)B. Depersonalized: films themselves stand as evidence (Shakespeare wasn’t just oneperson-an
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