Aristotle (384 - 322 BCE)Aristotle (384-322 BCE)Slide 3Slide 4Slide 5Differing Views of RealityRhetoric, has its own IdentityRhetoric’s UsefulnessRhetoric Book 1Book ISlide 11Slide 12Book I Chapter OneBook I Chapter TwoSlide 15Slide 16Slide 17The Syllogism--LogicThe EnthymemeEnthymeme-truncatedEnthymeme--shared valuesSlide 22Book I Chapter ThreeSlide 24Slide 25Book I Chapter FourBook I Chapter FiveSlide 28Slide 29Book I Chapter SixSlide 31Slide 32Book I Chapter SevenSlide 34Slide 35Slide 36Book I Chapter EightSlide 38Book I Chapter NineSlide 40Book I Chapter TenSlide 42Book I Chapter ElevenSlide 44Book I Chapter TwelveSlide 46Slide 47Slide 48Book I Chapter ThirteenBook I Chapter FourteenSlide 51Book I Chapter FifteenSlide 53Slide 54Slide 55Slide 56Aristotle’s contribution to RhetoricMore on Aristotle and RhetoricBook IIIAristotle (384 - 322 BCE)Life & TimesAristotle (384-322 BCE)Plato’s studentborn in Macedonia about the time Plato was opening the Academy in Athensage seven went to Athens and entered the Academy--stayed on as teacher; left 20 yrs later on Plato’s death in 347 Was ineligible to inherit Academy because he wasn’t Athenianlike Plato, he studied a vast array of subjects--teaching biology, politics, rhetoric, zoology, ethics, philosophyAristotle (384-322 BCE)believed only scientific demonstration and the analysis of formal logic could arrive at transcendent truthDialectic and rhetoric form 2 major divisions in his view of human inquiry but they deal with subjects on which true knowledge isn’t availableHis Rhetoric synthesizes much of the teaching on rhetoric and proposes a few new angles of the problem with rhetoric that interest Platorhetoric is the art of discovering the means of persuasion available for any subject--this discovery requires scientific investigationAristotle (384-322 BCE)rhetorician must start with knowledge”the way in which a thing is said does affect its intelligibility” but only “owing to the defects of the hearers” (Book III, CH. 1)rhetoric is the art of public speakingdialectic is the art of logical discussionanalyzes and classifies proper province for an art of rhetoric as Plato set forth in Phaedrus --study of souls and the occasions for moving themrhetoric is useful in making practical decisions (like Isocrates)Aristotle (384-322 BCE)interested in psychology of rhetoricrhetoric useful in making decisions where true knowledge is not availableenthymemes are rhetorical argumentsrhetoric in context of law, praises or blames, political debate--not just a concern with speech but with the action that will result form speech public speakers must understand forms of govt so they can adapt proposals to the ruler to be persuadedDiffering Views of RealityPlato Reality is there and communication reflects reality.Aristotle Reality is probably there and communication is a relationship with reality.Gorgias Reality is not there and communication creates reality.Rhetoric, has its own IdentityA counterpart to dialectic not cookeryNot moral but pragmatic and scientificA study of all the available means of persuasionFunctions to discover in each context the best way to by successfulRhetoric’s UsefulnessPrevents fraud and injusticeAids instructionMakes us argue both sidesHelps in self-defenseRhetoric Book 1The Nature of RhetoricBook Ispeaks strongly against radical Platonic idealism by noting that we do not live in the perfect world which Plato sought to establish therefore there are many good uses for rhetoricdefines Rhetoric: the art of discovering in any given case what are the best means of persuasionRhetoric is ARTISTIC:organized according to principles, flexible to personal interpretation, expressive, with aesthetic considerations, anddisposed toward utilityBook IRhetoric is about DISCOVERY: rhetoric is not merely the words, or their performance. Rather, the intellectual and philosophical development of that which should be said and how to say it best. Rhetoric is about effective human thought in the realm of communication interests. Rhetoric is particular to the given case.at its best it is not canned or pre-fabed. It is individualized to specific cases. Rhetoric is about PERSUASION.Book Itext comprised of lecture notes and was probably never intended for publication (book and chapter divisions probably work of later eds.)most of the text, in fact, may be work of his students--their notes from his lecturesBook IChapter OneRhetoric as Technê Definition of Rhetoric as counterpart of dialecticThe centrality of proofs and enthymemesThe usefulness of rhetoricThe true and the just are naturally superior to their oppositesGeneral audiences lack the ability to follow scientific reasoningRhetoric proves opposites in order to counteract false argumentBook IChapter TwoAnalysis of Rhetoric as a SystemRhetorical theory organized hierarchicallydivides rhetoric into 2 major categories: artistic proofs for which the rhetorician constructs the material inartistic proofs for which he interprets existing evidenceDefinition of Rhetoric as a FacultyRhetoric may then be defined as the faculty of discovering the possible means of persuasion in reference to any subject whatever.Book IChapter TwoAnalysis of Rhetoric as a SystemConcerning ProofsTwo Types of ProofsArtistic and inartistic proofsmodern scholars see Aristotle as dividing artistic proofs into 2 major categories:enthymeme and example with logical ethical and pathetic appeals as subdivisions underBook IChapter TwoConcerning ProofsTwo Types of ProofsArtistic and inartistic proofsTypes of inartistic proofsevidence like testimonies, contracts, knives, tortured slavesTypes of artistic proofsLogos--logical argumentsPathos--causes of emotion in humans not irrational or nonrational as in Gorgias’s enchantmentsEthos--character, human goodness, virtueBook IChapter TwoModes of proof: example and enthymemeRhetorical vs. dialectical proofs induction = exampleSyllogism = enthymemeenthymeme superior to exampleThe function of Rhetoric, then, is to deal with things about which we deliberate, but for which we have no systematic rules; and in the presence of such hearers as are unable to take a general view of many stages, or to follow a lengthy chain
View Full Document