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Sound
-a potentially audible disturbance of a medium produced by vibrating source. -A source of energy sets the source into motion - the vibrating source creates a disturbance - a medium transmits the disturbance - if the disturbance is audible, there is sound.
Disturbance of Air Molecules
-Compression(positive): increase in air pressure -Rarefaction (negative): decrease in air pressure
Longitudinal Wave
-sound follows longitudinal wave
Visualization of Sound Wave
-Y: amplitude -X: time
Frequency
f = # of cycles/seconds -measured in Hz
Period
t = 1/f -measured in seconds
Wavelength
wavelength = 340/f -measured in meters
Amplitude
-amount of pressure change -dB SPL (sound pressure level)
Pure Tone
-Only one frequency -sine waves
Complex Tone
-A sound wave consisting of more than two frequencies
Harmonics
-integer multiple of fundamental frequency
Fundamental Frequency
-lowest sound
Periodic Sound
-wave in which each cycle takes the same amount of time to occur
Aperiodic Sound
-wave in which cycles do not take the same amount of time to occur
Loundness
-psychological aspects of sound pressure level (amplitude)
Pitch
-psychological aspect of frequency
Units of Measure
-SPL = 20 uPa (pressure reference) -IL = 10-16 watts/cm2 (power reference) -double the pressure - 6dB SPL -double the power - 3 dB IL -10x the pressure - 20 dB -10x the power - 10 dB
How to Represent Sounds
-Waveform: X= time, Y= amplitude -Spectrum: X= frequency, Y= amplitude -Spectrogram: X= time, Y= frequency
Resonance
-An acoustic resonator does NOT add or delete certain frequencies, however an acoustic resonator works as a filter by amplifying frequencies that are close to the acoustic resonator's resonant frequency, and reducing frequencies that are farther away from the acoustic resonator's resonant…
Respiration of Speech
Tidal breathing vs Speech breathing
Speech Breathing
-requires the use of muscles for both inhalation and exhalation. -There is not a balanced relationship b/w inhaling and exhaling -10% inhale, 90% exhale
Tidal Breathing
-requires the use of muscles for inhalation, but does not require the muscle for exhalation, thus it is passive -There is a pretty balanced relationship b/w I and E -40% inhale, 60% exhale
Respiration for Speech
-3 to 5 cm H2O pressure difference will make the VF open and vibrate (just breathing) -7 to 10 cm H2O for conversational speech
Checking Action
-maintain the constant airflow (subglottal air pressure) using inspiratory and expiratory muscles -regulate airflow
Myoelastic-Aerodynamic Theory (part 1)
-In order to produce and vibration, the VF must close. This is initiated by the lateral cricoaryteniod muscle & the interarytenoid muscles pulling the VF together. This is called medial compression.
MAT (part 2)
-Due to the VF being closed, subglottal air pressure begins to build & increases. -Eventually there is enough pressure to force the VF apart. -The VF then come back together due to 2 different forces.
MAT (part 3)
-1st, the VF begin to recoil back to the midline due to the natural elasticity of the VF. -As the VF come together they create a narrow passageway. -As the air flows through the narrow passageway of the VF, velocity increases & pressure decreases.
MAT (part 4)
-This decrease in air pressure helps to pull the VF together completely. -Thus the cycle of VF opening and closing for phonation will continue due to the subglottal air pressure increasing again once the VF are pulled together.
Multi-Mass Theory
-complex vibration arises from mass difference -multi-mass
Fundamental Frequency
-Children: 250-300 Hz -Female: 180-250 Hz -Male: 80-150 Hz -the more massive the VF the lower the Fundamental Frequency
Glottal Spectrum
-Octave: a doubling of freq -a decrease of 12 dB per octave -octave: 100 - freq: 100 dB -octave: 200 - freq: 88 dB -octave: 400 - freq: 76 dB -octave: 800 - freq: 64 dB
How to Change Pitch
-increase tension, increase pitch -decrease tension, decrease pitch -contract thyrovocalis increases pitch
How to Change Intensity
-greater pressure, greater intensity -pressure is the driving force of intensity -to make louder production close VF more tightly - more force is needed to blow VF apart
Tension
-gross adjustment by cricothyroid = lengthening -fine adjustment by thyrovocalis = tensing
Vocal Register
-Modal register: normal -Pulse register: lowest Fund Freq -Falsetto: highest Fund Freq
Jitter
-cycle-to-cycle variability in vocal frequency -lower the jitter the better -anything below 0.5% is normal
Shimmer
-cycle-to-cycle variability in vocal amplitude -lower the shimmer the better -values below 0.5 dB are normal
HNR
-harmony-to-noise ratio -the higher the ratio the better
NHR
-noise-to-harmony ratio -the lower the better
EGG
-electroglottographic -not invasive (adv) -can't tell if really closed (dis) -tells when VF are opened or closed -use closed quotient (CQ = CP/P) (CP= closed phase, P= period of cycle) -closing is abrupt -opening is gradual
T/F
Levator veli palatini muscle is related to velopharyngeal port closing. TRUE; it open and closes the Eustachian Tubes
Source Filter Theory
Source: phonation @ the glottis Filter: vocal tract resonator Source-filter theory is the theory that explains how phonation @ the glottis travels thru the vocal tract, depending on where the articulators are placed, changes how the vowels are produced
Source-Filter Theory Example
An average healthy male's vocal tract is 17cm in length. The vocal tract is a quarter-wave resonator. If he produced the vowel sound /ə/, you can calculate the first 3 formants of the phonation
Example cont'd
-17x4=68 - 68cm total wavelenth of /ə/ -68cm/34,000cm (speed of sound converted into cm from m) = 500 Hz = f1 -Then you can calculate f2 and f3 based on odd multiples.
Narrow Band
-for spectrogram -can see actual fund freq and harmonics
Wide Band
-for spectrogram -time is well represented
Vowel Features
-all voiced -relatively open vocal tract -tongue height/advancement -tense/lax
/i/
F1 - 270 F2- 2290 F3- 3010
/I/
F1- 390 F2- 1990 F3- 2550
/back 3
F1- 530 F2- 1840
/ae/
F1- 660 F2- 1720
/u/
F1- 300 F2- 870
/hook/
F1 440 F2- 1020
/a/
F1- 730 F2- 1090
/upside down e/
F1- 640 F2- 1190
Roundedness
-formants become lower -lengthen vocal tract
Glides and Diphthong
-show transition (very short for glides)
Consonant Classification
Manner of Articulation: nasal, fricative, affricate, stop, liquid Place of Articulation: bilabial, labiodental, linguadental, alveolar, palatal, velar, glottal Voicing: voiced, voiceless
Stops
/p, b, t, d, k, g/ -silent gap, release burst, VOT -voiced: shorter VOT -voiceless: longer VOT -bilabial: greater energy @ lower freq -alveolar: greater energy @ higher freq -velar: greater energy @ mid freq
Fricatives
/s, z, ð, θ, ʃ, ʒ, f, v, h/ -frication -white noise -alveolar and palatal have stronger amplitude -interdental and labiodental have a weaker amplitude
Affricates
/tʃ, dʒ/ -combo of stops and fricatives
Nasals
/m, n, ŋ/ -whiter area = anti-formant -low freq energy concentration for nasal sounds are around 300 Hz = nasal murmur -velum is lowered so resonance can be made in nasal cavity
Liquids
/l, r/ -quick transition to formants -F2 and F3 are close (for /r/)
Coarticulation
-sounds that are produced in overlapping manner example: /k/ + /a/ = oral cavity open; /k/ + /i/ = oral cavity restricted -the vowels influence the consonant
Intonation
-refers to the way in which speakers vary their F0 levels to signal linguistic aspects of speech, such as the type of utterance (declarative, question, etc) -pitch rate
Stress
-involves the frequency, intensity and duration of a syllable or word in a way that highlights a particular portion of the utterance -Lexical stress- stress that's on the word (i.e. PERmit, perMIT)
Segmentation
-variability in production -invariant characteristic: speech different everyday -dynamic info: you have to be dynamic to understand and recognize the differences in sounds, but have the same meaning
Categorical Perception
-read book
Feedback and Feedforward
-feedforward: brain to muscles -feedback - muscles to brain (downside: cannot make correction when not speaking)

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