Arth 112 1st Edition Lecture 23 Current Lecture Peter Paul Rubens The Raising of the Cross 1610 11 Diagonal plane begins in the bottom forefront and travels back into space Creates a tension between the viewer and what is represented o Exaggeration of bodies and sense of palpable physical struggle like Michelangelo o Contains the high contrast that Caravaggio s work had Barking dog agitation Henri IV Receiving the Portrait of Marie de Medici 1635 Extremely political and allegorical o Catholic vs Protestant conflict Nicolas Poussin Landscape with saint John on Patmos 1640 o Relatively thin application of paint paint does not look tactile These notes represent a detailed interpretation of the professor s lecture GradeBuddy is best used as a supplement to your own notes not as a substitute Jusepe de Ribera The Clubfooted Boy 1642 o A portrait of a young mute orphan beggar o In Latin note reads For the Love of God give me Money o The painting is painted from a lower perspective the way that saints are painted o Gum disease rotted teeth carrying a cane because he cannot properly walk smiles at the viewer
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