Lecture 4Jan VermeerView of Delft (1662)Utilized a “perspective machine” of sorts based on the visual systems resolved by Alberti.Used a camera obscura (dark room)painting in proper perspective was considered intelligent.The glistening of light from the camera obscura unintentionally gave an impressionist effectChurch of VierzigheiligenPerspective confusion that centers around an incredibly complex altar piece. Dilutes a sense of vision and has so many details that it is difficult to focus on anything.Confusion of ornament and structure (Alberti sought to keep them separate).Sant’Ignazio RomeNo actual dome. Fake dome painted on the ceiling.Renaissance Portraits (Humanism)“Man and his perception is the measure of all things”Portrait of Henry IVFlat, profile (not personal), displays wealth/statusImago in Clipeata of a Roman Consul (6th century)-Jan van Eyck- Man in a Red TurbanName, Date engravingOil Painting technique allowed for beautiful details such as glistening eyes.ARTH 112 1st Edition Lecture 4 - Jan Vermeero View of Delft (1662) Utilized a “perspective machine” of sorts based on the visual systems resolved by Alberti. - Used a camera obscura (dark room)- painting in proper perspective was considered intelligent.- The glistening of light from the camera obscura unintentionally gave an impressionisteffect- Church of Vierzigheiligeno Perspective confusion that centers around an incredibly complex altar piece. Dilutes a sense of vision and has so many details that it is difficult to focus on anything. o Confusion of ornament and structure (Alberti sought to keep them separate). These notes represent a detailed interpretation of the professor’s lecture. GradeBuddy is best used as a supplement to your own notes, not as a substitute.- Sant’Ignazio Romeo No actual dome. Fake dome painted on the ceiling. o- Renaissance Portraits (Humanism) o “Man and his perception is the measure of allthings” Portrait of Henry IV Flat, profile (not personal),displays wealth/status Imago in Clipeata of a Roman Consul(6th century)o -Jan van Eyck- Man in a Red Turban Name, Date engraving Oil Painting technique allowed forbeautiful details such as
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