Lecture 12Donato Bramante Tempietto(Architect)Church of San Pietro (1502-10)- RomeCommissioned by Ferdinand of Aragon and Isabella of CastilleKey architect of the time. This particular piece was very influential for future architecture.Harmonized the forms from antiquity and RenaissanceMost buildings up until this time had been Basilicas.Constructed with decorative entablature and baluster.Influenced by surrounding Temple of Hercules Victor (Forum Boarium), Temple of Fortuna Virilus (Peripteron), and the remains of the Temple of Vesta.Dome structures (circles within circles) has cosmic significanceArmillary Spheres as the model of the universe.When church structures are circular, that relates to the universality of Christianity.St. Peter (founder of the Roman church) was crucified where the church was built.CorregioFresco of the Assumption of the Virgin (1526-30)Mary being drawn up into heaven.Intense depth without verticals and horizontals.A sense of infinitySimilar to Baroque art of the 16th CenturyTwisted bodies, open expressions.GiorgioneThe Tempest (1510)Landscape of a soldier and a gypsy.Mood painted with landscape with a broken, ambiguous, and incomplete narrative.Painting is more of an impression than a precise reality (solid, dense) of forms.Colors do not seem to create a sense of depth.Paint is not refined; loosely applied.Creates sense of impressionism.Donato Bramante Tempietto(Architect)Church of San Pietro (1502-10)- RomeCommissioned by Ferdinand of Aragon and Isabella of CastilleKey architect of the time. This particular piece was very influential for future architecture.Harmonized the forms from antiquity and RenaissanceMost buildings up until this time had been Basilicas.Constructed with decorative entablature and baluster.Influenced by surrounding Temple of Hercules Victor (Forum Boarium), Temple of Fortuna Virilus (Peripteron), and the remains of the Temple of Vesta.Dome structures (circles within circles) has cosmic significanceArmillary Spheres as the model of the universe.When church structures are circular, that relates to the universality of Christianity.St. Peter (founder of the Roman church) was crucified where the church was built.CorregioFresco of the Assumption of the Virgin (1526-30)Mary being drawn up into heaven.Intense depth without verticals and horizontals.A sense of infinitySimilar to Baroque art of the 16th CenturyTwisted bodies, open expressions.GiorgioneThe Tempest (1510)Landscape of a soldier and a gypsy.Mood painted with landscape with a broken, ambiguous, and incomplete narrative.Painting is more of an impression than a precise reality (solid, dense) of forms.Colors do not seem to create a sense of depth.Paint is not refined; loosely applied.Creates sense of impressionism.ARTH 112 1st Edition Lecture 12Donato Bramante Tempietto(Architect)- Church of San Pietro (1502-10)- Romeo Commissioned by Ferdinand of Aragon andIsabella of Castille Key architect of the time. This particularpiece was very influential for futurearchitecture. Harmonized the forms from antiquity andRenaissance Most buildings up until this time hadbeen Basilicas. Constructed with decorativeentablature and baluster. Influenced by surrounding Temple ofHercules Victor (Forum Boarium),Temple of Fortuna Virilus(Peripteron), and the remains of theTemple of Vesta.- Dome structures (circles within circles) has cosmicsignificanceo Armillary Spheres as the model of the universe. o When church structures are circular, that relatesto the universality of Christianity.  St. Peter (founder of the Roman church)was crucified where the church was built.  Corregio- Fresco of the Assumption of the Virgin (1526-30)o Mary being drawn up into heaven.  Intense depth withoutverticals and horizontals.  A sense of infinity Similar to Baroque art of the16th Century Twisted bodies, openexpressions. Giorgione- The Tempest (1510)o Landscape of a soldier and agypsy. o Mood painted with landscape witha broken, ambiguous, andincomplete narrative. o Painting is more of an impressionthan a precise reality (solid, dense) offorms.o Colors do not seem to create a senseof depth. o Paint is not refined; loosely applied.  Creates sense ofimpressionism.Gypsy woman staring back at the viewer: Evocative but notexplicit (in the same way as Mona Lisa) Donato Bramante Tempietto(Architect)- Church of San Pietro (1502-10)- Romeo Commissioned by Ferdinand of Aragon andIsabella of Castille Key architect of the time. This particularpiece was very influential for futurearchitecture. Harmonized the forms from antiquity andRenaissance Most buildings up until this time hadbeen Basilicas. Constructed with decorativeentablature and baluster. Influenced by surrounding Temple ofHercules Victor (Forum Boarium),Temple of Fortuna Virilus(Peripteron), and the remains of theTemple of Vesta.- Dome structures (circles within circles) has cosmicsignificanceo Armillary Spheres as the model of the universe. o When church structures are circular, that relatesto the universality of Christianity.  St. Peter (founder of the Roman church)was crucified where the church was built.  Corregio- Fresco of the Assumption of the Virgin (1526-30)o Mary being drawn up into heaven.  Intense depth withoutverticals and horizontals.  A sense of infinity Similar to Baroque art of the16th Century Twisted bodies, openexpressions. Giorgione- The Tempest (1510)o Landscape of a soldier and agypsy. o Mood painted with landscape witha broken, ambiguous, andincomplete narrative.o Painting is more of an impressionthan a precise reality (solid, dense) offorms.o Colors do not seem to create a senseof depth. o Paint is not refined; loosely applied.  Creates sense ofimpressionism.Gypsy woman staring back at the viewer: Evocative but notexplicit (in the same way as Mona