Chapter 5: Bosnia and Central EuropeFour Bosnian StylesGeneral Information on BosniaRain Song ComparisonMuslim HighlandsClose IntervalsBeating EffectMusic of Muslim LowlandsPopular Music StylesBosnian Jewish TraditionIntroduction to World Music; Missouri State University1Chapter 5:Bosnia and Central EuropeChapter 5:Bosnia and Central EuropeIntroduction to World Music; Missouri State University2Four Bosnian StylesFour Bosnian StylesMuslim Highland MusicMuslim Lowland MusicPopular MusicSephardic Jewish TraditionMuslim Highland MusicMuslim Lowland MusicPopular MusicSephardic Jewish TraditionIntroduction to World Music; Missouri State University3General Information on BosniaGeneral Information on BosniaPart of former YugoslaviaWar and unrestCatalyst for WWIMore recent conflict in 1990’sThree changes tracedChanges due to political upheavalArt versus commerceReshaping by musicians who have moved awayPart of former YugoslaviaWar and unrestCatalyst for WWIMore recent conflict in 1990’sThree changes tracedChanges due to political upheavalArt versus commerceReshaping by musicians who have moved awayIntroduction to World Music; Missouri State University4Rain Song ComparisonRain Song ComparisonRain, Rain Go AwayPaparudele (Come, little rain) II:9How does this allow us to compare and contrast the two cultures?Rain, Rain Go AwayPaparudele (Come, little rain) II:9How does this allow us to compare and contrast the two cultures?Introduction to World Music; Missouri State University5Muslim HighlandsMuslim HighlandsMevlud festivalWomen’s and Men’s ganga songsCompare gender differences in textsCompare the 1989 and 2000 version of women’s songExamplesSisters Hold On to Your Chastity (II:10 and 16)What Lifts the Heart of a Rascal (II:11)Mevlud festivalWomen’s and Men’s ganga songsCompare gender differences in textsCompare the 1989 and 2000 version of women’s songExamplesSisters Hold On to Your Chastity (II:10 and 16)What Lifts the Heart of a Rascal (II:11)Introduction to World Music; Missouri State University6Close IntervalsClose IntervalsParticularly major second (whole step)Dissonant in many cultures, but consonant in this oneCompare to music by Bartok (Hungarian Classical music composer); Free Variations from Mikrocosmos, Book 6See diagram belowParticularly major second (whole step)Dissonant in many cultures, but consonant in this oneCompare to music by Bartok (Hungarian Classical music composer); Free Variations from Mikrocosmos, Book 6See diagram belowIntroduction to World Music; Missouri State University7Beating EffectBeating EffectJohn Backus, The Acoustical Foundations of MusicJohn Backus, The Acoustical Foundations of MusicIntroduction to World Music; Missouri State University8Music of Muslim LowlandsMusic of Muslim LowlandsExample: O sargija (CD II:12)Heterophonic vocal texture with luteSevdalinka Style (wedding in this case)Managed TraditionalismCan you think of other examples of this?Example: O sargija (CD II:12)Heterophonic vocal texture with luteSevdalinka Style (wedding in this case)Managed TraditionalismCan you think of other examples of this?Introduction to World Music; Missouri State University9Popular Music StylesPopular Music Styles“Last Stop Brcko” (CD II:14)“Is Sarajevo Still Where it Was?” (II:18)“Hristianova Kopanitsa” (II:19)Bulgarian ExampleComplicated rhythmic design2+2+3+2+2“Last Stop Brcko” (CD II:14)“Is Sarajevo Still Where it Was?” (II:18)“Hristianova Kopanitsa” (II:19)Bulgarian ExampleComplicated rhythmic design2+2+3+2+2Introduction to World Music; Missouri State University10Bosnian Jewish TraditionBosnian Jewish Tradition10% of Sarajevo prior to WWIIMost emigrated or died during HolocaustFlory Jagoda sole survivor of her familyKeeper of the musical tradition“Break of Day” (CD II:15)10% of Sarajevo prior to WWIIMost emigrated or died during HolocaustFlory Jagoda sole survivor of her familyKeeper of the musical tradition“Break of Day” (CD