DRAM 1101: EXAM 1
40 Cards in this Set
Front | Back |
---|---|
Ritual
|
a set of actions, mainly performed for their symbolic value
|
Theatre
|
someone performing something or someone else
|
Basic Elements of Theatre
|
what is performed
the performance itself (all aspects)
the audience
|
Willing Suspension of Disbelief
|
even though the audience knows the events aren't real, it agrees to believe them anyway.
|
Conflict
|
characters/forces that oppose each other, see characters thinking/facing challenges
|
Stasis
|
when everything is calm
|
Protagonist
|
person who has to overcome obstacles/forces
|
Antagonist
|
force/person protagonist has to overcome (opponent)
|
Dramatic Action chronological vs. nonlinear
|
chronological (linear/climactic)- exposition, initiation, complication, climax, denouncement
non linear (episodic)- traces characters journey, final action helps understand meaning
|
Exposition
|
introduction
|
inciting incident
|
moment that disrupts stasis, emergence of conflict
|
Rising Action
|
series of complications after inciting incident
|
climax (crisis)
|
moment of dramatic explosion, point of no return
|
Denouncement (falling action)
|
things begin to resolve
|
melodrama
|
hero and badguy, melody and music, evil trumped by good, element of science
|
Major Dramatic Question
|
question that reveals central conflict, right after inciting incident, answers what happened? Different from theme and social message
|
What about Trifles in NYC took away from realism
|
exaggerated awkward pauses
humor
heightened drama
presence of men (?)
|
climax of trifles
|
discovery of dead bird
|
denouncement of trifles
|
hiding the evidence/knowing the men won't find out
|
First Actor?
|
thesbis
|
function of greek theatre
|
religious/corporate act
linked society with debates and discourse-forum
taught society
|
main acting space in greek theatre?
|
orchestra
|
theatron
|
seeing place, where ppl sat
|
skene
|
backdrop or hut
actors change behind
doors
|
parados
|
where performers entered into orchestra
sides of skene
|
eccylema
|
scenic device/cart to show dead ppl
wheeled through center door of skene
|
Deus ex Machina
|
crane like device used for raising and lowering the lead actor at the end of the play, shows gods solving problems
|
conflict/theme of oedipus
|
political
limits of human knowledge
limits and fragility of human happiness
|
argon
|
debate over happy idea
|
komos
|
exit of feasting and revelry, carnivalistic ritual
|
satyr
|
comic work presented after classical greek tragedy
|
what does MDQ stem from
|
inciting incident
|
thymele
|
alter space
|
origins of theatre
|
ancient rituals and festivals
|
choregus
|
author, director, actor, producer
|
spectators #
|
14,000 to 17,000
|
qualities of theatre
|
1. lifelikeness
2. ephemerality
3. objectivity
4. complexity of means
5. immediacy
|
catharsis
|
purgation of pity/fear
|
parabasis
|
choral passage addressed to audience
|
chiton
|
over tights to look naked
|