TAMU THAR 281 - Lecture notes
Type Lecture Note
Pages 2

Unformatted text preview:

Realism--Specific theatrical form beginning in the late 19th century--Realism vs. art that is realistic--“Slice of life,” “fourth wall”--Authenticity in:--Script--Design--Performance--Emphasis on science:--Objective observation--Convergence of character, environment, situationNon-artistic Influences of Realism:--Charles Darwin (1809-1892)--Emphasis on heredity, environment--Karl Marx (1818-1883)--Theatrical focus on economic and other oppressions--Sigmund Freud (1856-1939)--Ideas of subconscious, repressionRealism in Russia--Anton Chekhov (1860-1904)--Playwright--“Tragicomedy”--Konstantin Stanislavski (1863---Actor and director--Founder of Moscow Art Theatre--Actor must truly understand the character’s emotion, mentality, etc.--The Seagull, about people with really weird, messed-up relationshipsRealism in Scandinavia--Henrik Ibsen (1828-1906)--Norwegian--Major Themes: social immorality, unhappy/dysfunctional families (especially parents)--August Strindberg--Swedish--Individual cruelty, “battle of the


View Full Document

TAMU THAR 281 - Lecture notes

Type: Lecture Note
Pages: 2
Documents in this Course
Realism

Realism

12 pages

Theatre

Theatre

9 pages

Load more
Download Lecture notes
Our administrator received your request to download this document. We will send you the file to your email shortly.
Loading Unlocking...
Login

Join to view Lecture notes and access 3M+ class-specific study document.

or
We will never post anything without your permission.
Don't have an account?
Sign Up

Join to view Lecture notes 2 2 and access 3M+ class-specific study document.

or

By creating an account you agree to our Privacy Policy and Terms Of Use

Already a member?