Chapter 4Sensation and Perception Sensation Experience associated with a sound, light, etc., and the initial steps by which the sense organs and neural pathways take in stimulus information. Not consciously aware of it Perception The organization of the information brought in by sensation and its meaningful interpretation Physical stimulus The matter or energy that contacts our sense organs Physiological response Patter of electrical activity that occurs in sense organs as a result of a physicalstimulus Sensory experience Subjective sensation of sight, sound, touch, ect. How many senses are there Elementary = 5 Barnes = 16+ Pain, temp, balance Receptor cells A specialized cell that responds to physical stimulus by producing electrical changes that can initiate neural impulses Transduction Process in which a receptor cell produces a response to a physical stimulus Sometimes neurons do this Sensory neurons They carry neural impulses from receptor cells to CNS Receptor Potential An electrical charge caused by transduction (lots of partial depolarization caused by neurons releasing neurotransmitters can activate another neuron. Receptor potentials can also activate a neuron and cause an action potential) Coding The action potentials sent to the brain carry information about the strength andtype of stimulus Examples Type (red or green light) Strength (dim or bright) Type (salt or pepper) Strength (lot or little) Qualitative information Type or kind of energy or matter present Determined by which neurons are firing Quantitative information Amount or strength of stimulus Determined by rate of firing Sensory adaptation Change of sensitivity Less stimulus results in more sensitivity More stimulus results in less sensitivityAudition What the heck is “sound” anyway One answer is that it is a physical stimulus. For our purposes it is a vibration of air caused by some object (vocal cords, speaker on stereo, ect.) Aspects of sound Amplitude Corresponds to perceived loudness Frequency Corresponds to perceived pitch 20 Hz is 20 alternation of compressed/uncompressed air per second How the ear works Sound waves travel through the auditory canal and make the tympanic membrane (ear drum) vibrate The ear drum makes the hammer, anvil, & stirrup vibrate The stirrup makes the oval window vibrate which makes the fluid in the cochlea vibrate The fluid in the cochlea triggers movement sensitive hairs in the cochlea This finally triggers an electrical potential and message is sent to the brain. Two types of deafness Conduction deafness Hammer, anvil, stirrup becomes rigid Solution? It takes more to move them so hearing aid will do the trick sensorineural deafness Problem is between the stirrup and the brain (the cochlea or auditory neurons) Normal hearing aids won’t work How do we perceive loudness More hairs move = louder How do we perceive pitch Lower frequency of sound, the father along the basilar membrane ( the membrane with the hair cells on it) the sound will travel Under 4 kHz the timing of the bursts of action potentials corresponds with the frequency of the sound and codes for pitchVision Light Amplitude Think intensity Wavelength (frequency) Think perceived color 400-700 nm is visible Parts of the Eye Cornea Clear tissue that helps to focus light Iris Opaque film that keeps out light and changes size to affect pupil size Pupil Hole in iris Lens Behind the pupil It focuses light It is adjustable but gets less so over time Retina Membrane in rear interior eye Contains millions of receptor cells Sensation/ eye/ retina Rods Black and white Works in dim light All over retina 120 million Low acuity High sensitivity Rhodopsin Cones Color Work in bright light Most in fovea 6 million High acuity Low sensitivity 3 different photo pigments Photochemical When hit by light they cause an electrical change across cell membrane This is known as receptor potential This leads to action potential in other cells. In this way a signal reaches thebrain Why do we see colors we see Subtractive color mixing Different substances absorb and reflect different wavelengths of light “blue” objects are those that reflect a lot of short wavelength light but absorb long and medium wavelength light Red + green + blue finger paint results in muddy color Additive color mixing This occurs when mixing lights not pigments Put lights of all colors together and get white light, not darkness 3 primaries law Using different intensities of 3 wavelengths of light one can create every color imaginable Law of complementarity For any color, you find another such that the two put together will yield white light Trichromatic theory Cells in retina have 3 pigments that absorb different wavelengths of light Short wavelength cones - peak absorption wavelength is 425 nm Medium wavelength cones - peak absorption wavelength is 525 Long wavelength cones - peak absorption wavelength is 560 nm Why propose such a theory in the first place In subtractive color mixing, you can make all the colors of the rainbowusing only 3 In additive color mixing you can get all color using only 3 wavelengths of light THEORY IS CORRECT There are three types of cones Each cone type has one of the 3 types of pigments Not everyone has three cones, however Colorblindness Condition where people only have 2 types of pigments Often either long wavelength or medium wavelength cones don’t exist You can be color blind and still function and not even know you are color blind Problem is genetic ( on X chromosome) Therefore, more common in men Opponent-process theory Blue-yellow opponent cells Excited by blue and inhibited by the yellow or vice versa Red-green opponent cells Excited by red and inhibited by green or vice versa Why propose it Law of complementarity Two colors in additive color mixing can yield white light Complementarity of afterimage Color and brightness constancy are not accounted for by either tri-c or o-p theories Ever been in a room illuminated with red light bulb? Do bananas still seem yellow, blued eyed
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