DOC PREVIEW
UIUC ARTH 112 - Perspective Renaissance

This preview shows page 1 out of 2 pages.

Save
View full document
Premium Document
Do you want full access? Go Premium and unlock all 2 pages.
Access to all documents
Download any document
Ad free experience

Unformatted text preview:

ARTH 112 1st Edition Lecture 4 Jan Vermeer o View of Delft 1662 Utilized a perspective machine of sorts based on the visual systems resolved by Alberti Used a camera obscura dark room painting in proper perspective was considered intelligent The glistening of light from the camera obscura unintentionally gave an impressionist effect Church of Vierzigheiligen o Perspective confusion that centers around an incredibly complex altar piece Dilutes a sense of vision and has so many details that it is difficult to focus on anything o Confusion of ornament and structure Alberti sought to keep them separate These notes represent a detailed interpretation of the professor s lecture GradeBuddy is best used as a supplement to your own notes not as a substitute Sant Ignazio Rome o No actual dome Fake dome painted on the ceiling o Renaissance Portraits Humanism o Man and his perception is the measure of all things Portrait of Henry IV Flat profile not personal displays wealth status Imago in Clipeata of a Roman Consul 6th century o Jan van Eyck Man in a Red Turban Name Date engraving Oil Painting technique allowed for beautiful details such as glistening eyes


View Full Document

UIUC ARTH 112 - Perspective Renaissance

Download Perspective Renaissance
Our administrator received your request to download this document. We will send you the file to your email shortly.
Loading Unlocking...
Login

Join to view Perspective Renaissance and access 3M+ class-specific study document.

or
We will never post anything without your permission.
Don't have an account?
Sign Up

Join to view Perspective Renaissance and access 3M+ class-specific study document.

or

By creating an account you agree to our Privacy Policy and Terms Of Use

Already a member?