Lecture 18Outline of Last LectureI) Cubism; Braque and PicassoA) Picasso, Girl with a Mandolin (1910)B) Picasso, Ma Jolie (1911)C) Analytic cubism? 1911II) 1912- collage!A) Braque, Still Life BACH (1912)B) Picasoo, Guitar, Sheet Music, and Wineglass (1912)C) Collage as related to non-western art forms1) MEANING WITHOUT MIMESIS2) Picasso, Guitar (1912) (sculpture)a) Picasso, Siphon, Glass, Newspaper, and Violin (1912)D) Picasso, Glass and Bottle of Suze (1912)E) Picasso, Still Life with Violin and Fruit (1913)III) Piet MondrianA) The Red Tree (1909)B) The Flowering Apple Tree (1912)C) Composition No. 10 in Black and White (Pier and Ocean) (1915)D) Composition in Line (1917)E) Composition with Grid 9 (Checkerboard with Light Colors) (1919)F) Composition with Yellow, Red, Black, Blue, and Gray (1920)G) New York City (1941- 1942)IV) Jackson PollockA) Cathedral (1947)B) Full Fathom Five (1947)Outline of Current LectureV) Picasso  Marcel Duchamp (Dada)VI) Duchamp  never intended to make money from his paintingA) Bicycle Wheel (1913)B) Chocolate Grinder & Chocolate Grinder #2C) The FountainVII) Monumental ProjectA) The Bride Stripped Bare by Her Bachelors, Even (The Large Glass) (1915- 1923)VIII) Element of chance and other forcesIX) SignsA) Icon1) Referent through resemblanceB)  index1) referent through causality, tied physicallyC)  symbol1) referent through convention, the relation is arbitraryX) PicabiaA) Here is Steieglitz, Faith and Love (1915)B) The Holy of Holies, This Portrait is About Me (1915)C) Voila Haviland, He is Like Poetry (1915)XI) Breton and Surrealism (an outgrowth of dada)Current LectureXII) Picasso  Marcel Duchamp (Dada)A) Leaving medium specificity behind in favor of connection with social life and with the daily lifeB) 1912! The invention of collage, opening painting to the world outside of it1) intensify the connection with the new elementsXIII) Duchamp  never intended to make money from his paintingA) Bicycle Wheel (1913)1) Ready-mades: taking an object from everyday life and transforming them into art objects2) The stool acts as the pedestal3) He considered this work to be too much like sculpturea) Buying or ordering objects and items and presenting them without alterationb) Sometimes he inscribed words on his objectsB) Chocolate Grinder & Chocolate Grinder #21) Contour lines are very precise, mechanical, referent of scientists or engineersC) Ready-mades were not at first intended to be displayed as art objects1) He would bring the objects home with him and arrange them in the space in a way that would disrupt his daily living2) Negate the activity of making  the final act in the lineage we have been following thus farD) The Fountain1) Submitted to an Avant Garde salon and rejecteda) The motto was “no jury, no prizes”b) Marking that the artists involved in this salon were still tied to the academic traditions of art making2) How are is socially thought of positioned as a category in the worldXIV) Radical and simpleXV) Monumental ProjectA) The Bride Stripped Bare by Her Bachelors, Even (The Large Glass) (1915- 1923)1) The image on glass allows the world around it to engage with and interact with the work of art2) Invention of a new set of forms: combine the world and artworkXVI) Element of chance and other forcesA) Chance negates skill, reason, and control  the world is allowed to express itself, inviting the world into the worldB) Inviting the world to participate in the work on its own terms (the work serves as the meeting place)XVII) SignsA) Icon1) Referent through resemblanceB)  index1) referent through causality, tied physicallyC)  symbol1) referent through convention, the relation is arbitraryXVIII) PicabiaA) Here is Steieglitz, Faith and Love (1915)B) The Holy of Holies, This Portrait is About Me (1915)C) Voila Haviland, He is Like Poetry (1915)XIX) Breton and Surrealism (an outgrowth of dada)A) Automatic writing and automatic drawing, moving beyond conscious control1) ce of paintingART HIS 54Lecture 18Outline of Last LectureI) Cubism; Braque and PicassoA) Picasso, Girl with a Mandolin (1910)B) Picasso, Ma Jolie (1911)C) Analytic cubism? 1911II) 1912- collage!A) Braque, Still Life BACH (1912)B) Picasoo, Guitar, Sheet Music, and Wineglass (1912)C) Collage as related to non-western art forms1) MEANING WITHOUT MIMESIS2) Picasso, Guitar (1912) (sculpture) a) Picasso, Siphon, Glass, Newspaper, and Violin (1912)D) Picasso, Glass and Bottle of Suze (1912)E) Picasso, Still Life with Violin and Fruit (1913)III) Piet MondrianA) The Red Tree (1909)B) The Flowering Apple Tree (1912)C) Composition No. 10 in Black and White (Pier and Ocean) (1915)D) Composition in Line (1917)E) Composition with Grid 9 (Checkerboard with Light Colors) (1919)F) Composition with Yellow, Red, Black, Blue, and Gray (1920)G) New York City (1941- 1942)IV) Jackson PollockA) Cathedral (1947)B) Full Fathom Five (1947)Outline of Current LectureV) Picasso  Marcel Duchamp (Dada)VI) Duchamp  never intended to make money from his paintingA) Bicycle Wheel (1913) B) Chocolate Grinder & Chocolate Grinder #2C) The FountainVII) Monumental ProjectA) The Bride Stripped Bare by Her Bachelors, Even (The Large Glass) (1915- 1923)VIII) Element of chance and other forcesIX) SignsA) Icon 1) Referent through resemblanceB)  index 1) referent through causality, tied physically C)  symbol1) referent through convention, the relation is arbitrary X) PicabiaA) Here is Steieglitz, Faith and Love (1915)B) The Holy of Holies, This Portrait is About Me (1915)C) Voila Haviland, He is Like Poetry (1915)XI) Breton and Surrealism (an outgrowth of dada) Current LectureXII) Picasso  Marcel Duchamp (Dada)A) Leaving medium specificity behind in favor of connection with social life and with the daily lifeB) 1912! The invention of collage, opening painting to the world outside of it1) intensify the connection with the new elementsXIII) Duchamp  never intended to make money from his paintingA) Bicycle Wheel (1913)1) Ready-mades: taking an object from everyday life and transforming them into art objects2) The stool acts as the pedestal3) He considered this work to be too much like sculpture a) Buying or ordering objects and items and presenting them without alterationb) Sometimes he inscribed words on his objects B) Chocolate Grinder & Chocolate Grinder #21) Contour lines are very precise, mechanical, referent of scientists or engineers C) Ready-mades were not at first intended to