Lecture 14Outline of Last LectureI) The two canvases that opened the 20th centuryA) Modernism is involved in a search for originsII) MatisseA) Joy of LifeIII) PicassoA) Self-portrait (1901)B) The Absinthe Drinker (1902)C) The Boy with a Pipe (1905)D) Family of Saltinbanques (1905)E) Tragedy (1903)1) Compare to Ingres, Tu Marcellus ErisF) Woman with a Fan (1905)G) Portrait of Gertrude Stein (1906)H) Two Nudes (1906)I) Les Demoiselles d’Avignon (1907)Outline of Current LectureI) Les Demoiselles d’AvignonA) Sketches on sketches on sketchesII) Head with Scarification, Picasso (1907)III) Self-Portrait (1907)A) Study for the Head of the Squatting Demoiselle (1907)IV) Three Women (1908)V) Music, Matisse (1910)VI) SculptureA) RodinCurrent LectureVII) Les Demoiselles d’AvignonA) Sketches on sketches on sketchesB) Going back to his academic training and the steps an old master might takeC) Square canvas as an equalizing form1) Horizontal is a narrative shape2) It is more about the act of lookingD) Experience of bodies and a modern notion of sexualityE) It is completely a pictorial fragment1) Everything about it is a call and responseF) Called “unfinished” by many people and critics1) This is a new kind of connection that takes place outside of the mediumG) What space are we in?1) Room, cave, landscape?2) The space seems to flatten, loses a relationship with the mimeticH) Confrontation with heterogeneity and difference1) Confrontation of bodies and sexualitiesa) Sexualities are usually interested in commodity culture and class cultureVIII) Head with Scarification, Picasso (1907)A) Compared to a detail of DemoisellesB) Mimetic relationships are deformed rather than followed; undoneC) The masks are used as inspiration rather than an actual object to copy and insert into this paintingsIX) Self-Portrait (1907)A) Re-does his self-portrait in the new African style used in the Demoiselles1) Confronting difference and connectiona) Self and other, male and female, simultaneouslyB) Study for the Head of the Squatting Demoiselle (1907)1) A body from all angles at the same time and the same forms2) Mimeses has been called off3) Volatile, open, and multiple situation where differences and distinctions seem to come undoneX) Three Women (1908)A) The move towards cubismXI) Music, Matisse (1910)A) Intense and vibrant colorsB) Unresolved sexuality of the individualsC) Self-referential to the point of masturbationXII) SculptureA) Rodin1) As compared to Departure of the Volunteers of 1792 (1833)2) Monument of Balzac (1897)ART HIS 54Lecture 14Outline of Last LectureI) The two canvases that opened the 20th centuryA) Modernism is involved in a search for originsII) MatisseA) Joy of LifeIII) PicassoA) Self-portrait (1901)B) The Absinthe Drinker (1902) C) The Boy with a Pipe (1905)D) Family of Saltinbanques (1905)E) Tragedy (1903)1) Compare to Ingres, Tu Marcellus Eris F) Woman with a Fan (1905)G) Portrait of Gertrude Stein (1906)H) Two Nudes (1906)I) Les Demoiselles d’Avignon (1907)Outline of Current LectureI) Les Demoiselles d’Avignon A) Sketches on sketches on sketchesII) Head with Scarification, Picasso (1907)III) Self-Portrait (1907)A) Study for the Head of the Squatting Demoiselle (1907)IV) Three Women (1908)V) Music, Matisse (1910)VI) Sculpture A) RodinCurrent LectureVII) Les Demoiselles d’Avignon A) Sketches on sketches on sketchesB) Going back to his academic training and the steps an old master might take C) Square canvas as an equalizing form1) Horizontal is a narrative shape2) It is more about the act of looking D) Experience of bodies and a modern notion of sexuality E) It is completely a pictorial fragment 1) Everything about it is a call and response F) Called “unfinished” by many people and critics1) This is a new kind of connection that takes place outside of the medium G) What space are we in?1) Room, cave, landscape?2) The space seems to flatten, loses a relationship with the mimeticH) Confrontation with heterogeneity and difference1) Confrontation of bodies and sexualities a) Sexualities are usually interested in commodity culture and class cultureVIII) Head with Scarification, Picasso (1907)A) Compared to a detail of Demoiselles B) Mimetic relationships are deformed rather than followed; undone C) The masks are used as inspiration rather than an actual object to copy and insert into this paintingsIX) Self-Portrait (1907)A) Re-does his self-portrait in the new African style used in the Demoiselles1) Confronting difference and connectiona) Self and other, male and female, simultaneously B) Study for the Head of the Squatting Demoiselle (1907)1) A body from all angles at the same time and the same forms2) Mimeses has been called off3) Volatile, open, and multiple situation where differences and distinctions seem to come undoneX) Three Women (1908)A) The move towards cubismXI) Music, Matisse (1910)A) Intense and vibrant colors B) Unresolved sexuality of the individuals C) Self-referential to the point of masturbationXII) Sculpture A) Rodin1) As compared to Departure of the Volunteers of 1792 (1833)2) Monument of Balzac