Architecture, Design & Materials Studio Coordinator: Kai Gutschow Spring 2005, CMU, Arch #48-205, M/W/F 1:30-4:20 Email: [email protected] Class Website: www.andrew.cmu.edu/course/48-205 Off. Hr: M/W 12:30-1:30pm & by appt. in MM307 (4/1/05)FINAL REQUIREMENTS -- PROJECT "2" -- Auto Expo DUE: Sun. April 24, 2005, at 10:00pm, in MM308MINIMUM REQUIREMENTS FOR ALL STUDIOS (Instructors may add more).GENERAL-- Review the original ASSIGNMENT and PROGRAM and be sure your design intent(why) and solution (how) offer an appropriate response to your charge to: “design asmall, temporary exhibition space for a single automobile on a site near theconvention center.” Be sure all required elements have been included! -- All presentations must fit WITHIN the frame of ONE VERTICAL pinup board(44"wide x 88"tall). All sheets to be either 22" or 44" wide, and 22", 33" or greatermultiples of 11" tall. With permission of coordinator, students may use 2 boards. -- Compose an effective, coherent layout to show your design (consider using acomputer for composition)! FILL the pages for effective presentations, combineseveral drawings on one piece of paper, where effective! -- Work to create a MEMORABLE PRESENTATION, with work that represents theculmination of the 2 year studio experience. Use any appropriate medium approvedndby your instructor. Drawings must be CLEAR, BOLD, read well from 10ft, reproducewell, and distinguish between line weights! -- Clearly and unobtrusively label all drawings with the drawing name only (NorthElevation, Section A-A, etc.). For lettering, trace over mechanically produced type,use stencils, or computer generated text on sticky-back. Avoid handwriting! -- Scale versions of car and scale figures should be shown in ALL work.1) BUILDING PLAN on SITE, 1/4"=1'-0"-- The plan should evocatively weave together the SPACES in the building, the PROCESSION throughthe building, and the nature of the MASSES and MATERIALS that enclose the building. -- Orient plan with North Arrow UP (Liberty Ave. at TOP of page)-- Draw your studio’s entire SITE boundaries in order to locate your building footprint-- Include a realistic rendering of your CAR in plan (dotted if above ground)-- Create accurate and evocative rendering of wall thickness, columns, bathroom fixtures, windows, doorswings, built-in furniture, counters, stairs, glass, mullions, etc. -- Clearly distinguish walls that are CUT vs. short walls or railing through line weight (cut = HEAVY). -- Indicate important overhead features like skylights, prominent beams, double height spaces, roofoverhangs, etc. with DOTTED lines. -- Indicate section cuts with SIMPLE angled-arrow line ( A5 ) outside of the plan of your building.2) PRINCIPLE BUILDING SECTION, 1/2"=1'-0"-- Choose section that best represent the SPATIAL EXPERIENCE of main exhibit space and your car. -- Work to construct a TECHNICALLY ACCURATE section, including realistic glazing systems, realisticwall & floor thicknesses, realistic cornice, parapet, and roof details (i.e. no “box-top” roofs), as well as allother important design features related to materials and assembly. -- All sections must include a SCALE FIGURE and a realistic rendering of your CAR-- Clearly distinguish elements that are CUT versus things in elevation through line weight-- Show interior elevations as appropriate behind your section in lighter line weight-- Show a HEAVY ground line on either end of your building extending out to STREET CURB. -- Show URBAN context, including all buildings “behind” your site3) LIBERTY AVE. ELEVATION or HEAD-ON MONTAGE, 1/4"=1'-0-- All students must create an elevation drawing or montage looking straight at the Liberty Ave. side oftheir building site. Other elevations are optional, dependent on design, site and studio req’s. -- The elevation is the building’s public “face”, its “facade,” as well as the inter-face between interior andexterior. It should communicate the IMAGE of your building in the Liberty Avenue urban context, as wellas the MATERIALITY and DEPTH of your facade in relation to interior spaces. -- Consider adding shading and color to give a sense of texture, materials, scale, light, and experience. -- Show the URBAN context of all buildings “behind” your site and neighboring Auto Expo buildings -- Include a HUMAN scale figure, and consider showing a car or bus for scale4) INTERIOR PERSPECTIVE -- Create a perspective to highlight the primary FUNCTION of your building (“to exhibit a single car”), tofocus on the EXPERIENCE, the EXHIBIT concept, and the MATERIALITY of your interiors. -- All perspectives should include scale figures and a realistic rendering of your automobile.5) PRESENTATION MODEL, 1/4"=1'-0"-- The goal should be to create a well-crafted representation of theMATERIALITY and construction details of your design, to show how thephysical presence of materials create specific experiences. -- Models must ACCURATELY show all structural systems, wall, ceiling, androof thicknesses, as well as other significant building components such aswindow mullions. Be sure to choose your model materials carefully so theyare “to scale” and have a high level of detail that corresponds to the drawingsand constructed building. Avoid large sheets of acrylic or plexi-glass torepresent glazing systems, or simple sheets of cardboard as ceilings or walls. -- Model of building must sit on the ENTIRE SITE, and be linked to three“partner sites.” Models will be displayed in one long 72" row to provide scaleand context for your site. If any partner is digging below grade, ALL students inthe group must raise their base to align ground levels. -- Be sure roof comes off to display primary exhibit space-- Include a realistic scale model of your car as well as scale figures. 6) EXPLODED AXONOMETRIC OF BUILDING -- A drawing that clearly articulates the primary building elements, theconstruction and assembly methods of your Expo building. 7) DETAILED WALL SECTION (min. 1"=1'-0") or LARGE MATERIAL MOCK-UP -- Vertical wall section should show principal floor-wall and wall-roof intersection, including detailing ofstructural system, exact building materials, precise openings, cornice, etc. -- This requirement should demonstrate your research, expertise, and command of the M&A details ofyour building down to the smallest level of detail, to show how materials and assembly can augment oradd to the power and enrich the experience of your