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FILM 1502: EXAM 1 - Spring 2017
two major elements of film form: |
editiing
mis en scene |
The basic editing units of narrative film |
The shot, the Scene, and The Sequence |
the theatrical version of an edited film uses what is called |
The theatrical/release cut |
continuity editing is based on conventions such as |
The 180 rule
eye line match
match on action |
a discontinuous transition between two shots is called... |
a jump cut |
continuity editing |
editing to create the illusion of time and space |
montage |
in classical cinema, special type of editing that can condense time and space and a narrative ideal |
eye line match |
When the directors cut follows the gaze of a characters eyes |
sound designer of apocolypse now and the conversation |
Walter Murch |
The movie soundtrack |
Composed of music, sound effects, and voices/Dialogue |
Classical Hollywood |
studio made pictures between 1930-1960s |
first soundtrack synchronized to theatrical motions pictures |
USA around 1927 |
sound effects can be synchronized or un synchronized but music is said to be |
Diegetic (coming from within the world) and non-diegetic |
Sound affects may be |
-recorded during filming
-added later and post synchronized with a library of music clips
-created by a foly artist |
film editor of the french connection |
Jerry Greenberg ACE |
A.C.E |
American Cinema Editors |
M.P.S.E |
Motion picture Sound editors |
A.S.C |
American Society of cinematographers |
Mis en Scene |
Everything contained by the frame; a directors staging of a movie |
Elements of mis en scene |
Setting
Subjects
composition |
Matte |
painting on glass used along with live action shot. Usually as a background |
composition |
The originaization of frame space |
what is used to convey symmetrical compositions? |
Harmony and balance |
The most important technician on the set |
Director of photography |
Emulsion |
The gelatin coating on film that contains light sensitive particles |
most common film gauge in commercial theaters |
35 mm |
most common film gauge in commercial theaters |
35 mm |
most common camera movements |
panning, tilting, and tracking |
Aspect Ratio |
The variable relation of height to width in film projection |
contrast |
The variation of bright to darkly lit areas |
Director of photography for raging bull |
Micheal Chapman |
grain |
When the actual particals of silver nitrate are visible in the frame |
depth of field |
The specific area within the shot where objects are in sharp focus |
most important elements to cinematography |
photos, lighting |
types of mis en scene |
Realist
Fantastic
expressionist |
photographic principles |
grain
contrast,
color
color timing/temp
focal length/ focus
lense type
exposures |
vertigo shot |
a zoom in while the camera is backed up |
temporal ellipsis |
a gap in time, or a missing bubble of time |
match on action |
cut in the middle of an action to show action from a different perspective/angle |
voice materials |
Dialog
sining
voice over
mediated voices (radio, phone etc) |
Stages of film editing |
assembling a rough cut
trimming a fine cut
reaching a final cut
theatrical or release cut
directors cut |
vertical integration |
during the classical era; movie companies controlled production, distribution and exhibition |
classic three act structure |
exposition,
development/conflict
resolution and conclusion |
narrative structure |
The ways in which the plot conveys and withholds story information |
narrative models and archetypes |
the quest
buidingsroman
Cinderella
family romance
moral, social or environmental conflict |
The Mcguffin |
sets the story in action (kaplan, the one ring, etc); the catalyst |
Deus ex Machina |
miracles last minute rescue, (Gandalf/ eagles in LOTR) |
film editor of jaws |
Verna fields |
Who was N by N.b.NW written by and for? |
By: Ernest Lehman
for Alfred Hitchcock |
the good adaptation |
-maintaining the spirit and mood of the original
-emphasizing cinematic characteristics over literary qualities
-describe the meaning of the story over the telling of it
-its a question not an answer |
West side story directors |
Jerome Robbins, Robert Wise |
West side story Cinematographer |
Daniel L. Fapp |
who directed Jaws |
Steven Spielberg |
The most common type of lenses |
Normal, wide angle, telephoto |