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THEA 1000: Study Guide

Henrik Ibsen
- Norwegian -1828-1906  -A Doll's House (1879) -Hedda Gabler (1890)
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August Strindberg
-Swedish -3761 -Miss Julie (1888)
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Anton Chekhov
-Russian -3764 -The Sea Gull (1896) -The Cherry Orchard (1990)
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Symbolism
Movement of the late nineteenth century and early and early twentieth century that sought to express inner truth rather than represent life realistically
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Expressionism
Movement in Germany at about the time of World War I, characterized by an attempt to dramatize subjective states through distortion; striking, often grotesque images; and lyric, unrealistic dialogue
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Cubism
Early twentieth that revolutionized European paintings (Pablo Picasso)
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Futurism
Art movement, begun in Italy about 1909, which idealized mechanization and machinery
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Surrealism
Departure from realism that attempted to present dramatically the working of the subconscious
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Dadaism
A European artistic and literary movement (1916-1923) that flouted conventional aesthetic and cultural values by producing works marked by nonsense, travesty, and incongruity
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Realism
One of the five strands of theatre in the modern era, realism conveys everything onstage to resemble observable, everyday life to promote a strong sense of audience recognition and identification
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Naturalism
Special form of realism developed in Europe in the late nineteenth century; it was not carefully plotted or constructed but was meant to present a "slice of life"
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Latin American Theatre
-Artist response to social turmoil -Influenced by surrealism and expressionism -Addressed nationalist issues -Theatre of the Oppressed  -Augusto Boal (1931-2009) -Rehearsing Revolution  -Young playwrights attempting to develop new forms and styles of theatre
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Tennessee Williams (1911-1983)
-The Glass Menagerie  -A Streetcar Named Desire -Cat on a Hot Tin Roof (Realism)
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Arthur Miller (1915-2005)
-The Crucible -Death of a Salesman -All my Sons (Realism)
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Selective Realism
A type of realism that heightens certain details of action, scenery, and dialogue while omitting others
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Edward Albee (1928-)
-The Zoo Story -Who's Afraid of Virginia Woolf? -Three Tall Women
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John Osborne (1929-1994)
-Look Back in Anger
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Book
The dialogue and action of a musical (also called the libretto)
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Antecedents of the American Musical
-W.S. Gilbert and Arthur Sullivan -Operetta -The Pirates of Penzance (1879)
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Victor Herbert
-Naughty Marietta (1910)
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George M. Cohan
-Little Johnny Jones (1904) -Forty-Five Minutes from Broadway
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Cole Porter
-Kiss me Kate (1948) - based on Shakespeare's The Taming of the Shrew
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Leonard Bernstein/ Steven Sondheim/ Arthur Laurents
-West Side Story - based on Shakespeare's Romeo and Juliet
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Jerry Bock/ Sheldon Harnick/ Joseph Stein
-Fiddler on the Roof -The last great book musical
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Rock Musical
Hair (1967)
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David Mamet
-Glengarry Glen Ross, American Buffalo (Contemporary American Playwrights)
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Sam Shepard
-True West, Fool for Love (Contemporary American Playwrights)
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Tracy Letts
-August Osage County (Contemporary American Playwrights)
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Lorraine Hansberry
-A Raisin in the Sun
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August Wilson
-10-play-cycle-- chronicling African-American Life -Fences, Joe Turner's Come and Gone, and The Piano
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Amiri Baracks
-Dutchman
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Suzan-Lori Parks
-Topdog/Underdog
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Katori Hall
The Mountain Top- about the life of Martin Luther King Jr.
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Luis Valdez
-El Teatro Campesino- farm workers' theatre -Actos -Agit-prop-- agitation propaganda -Zoot Suit
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Luis Alfaro
-Oedipus el Rey
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Milcha Sanchez-Scott
-Roosters
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Maria Irene Fornes
-Fefu and her Friends
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Nilo Cruz
-Anna in the Tropics (adaptation of Anna Karenina)
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Nuyorican
-Puerto Ricans from New York
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Miguel Pinero
-Short Eyes
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Wole Soyinka
-Nigerian Playwright -The Strong Breed
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Athol Fugard
-South African writer -Writing about apartheid -Master Harold and the Boys
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